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Archive for the ‘Chugoku’ Category

When I first came to Japan in 1998 the country had only 4.1 million foreign visitors. I was in my second year at university, traveled alone and barely ever saw another tourist (despite being there during cherry blossom season!), neither the internet nor cell phones were common, and Japan had a reputation for being kind of “inaccessible” – and expensive. The good old days…

By the time I moved to Japan in 2006 the number of tourists had almost doubled to 7.3 million, but that didn’t really matter to me, especially since they kept going up and down. Being a tourist and being an expat (i.e. being a tax payer with a job!) are two completely different things, two completely different experiences; especially in Japan. It’s like visiting an amusement park and working in an amusement park! And as a new hire at a Japanese company I neither had the time nor the financial resources, so for the first two or three years all I saw of Japan was Kansai in day trips. Now, there is a lot to see and do in this area, so I didn’t feel restricted – I was just living my daily life and my vacation time I spent visiting family and friends back home.
In late 2009 I picked up urban exploration as a hobby and a few months later started this blog, Abandoned Kansai. Kansai, because that was my home, the area I was familiar with, the area I traveled well. Not Abandoned Japan, because I never expected that I would travel much outside of Kansai – I hadn’t for three years, so why start now?
Well, because I wanted to document certain abandoned places in other prefectures, as I realized rather quickly… Two months after the *Mount Atago Cable Car* I did my first exploration in another region (Chubu), three months later I went to another main island (Kyushu) – and eight years later I traveled so much that I covered all nine regions of Japan (Hokkaido, Tohoku, Kanto, Chubu, Kansai, Chugoku, Shikoku, Kyushu, and Okinawa) within one calendar year! Though it wasn’t until 2020 that I had visited and explored abandoned places in all of Japan’s 47 prefectures… (Ehime was last ؘ– by something like two years!)
For the first few years those urbex trips were more or less strictly urbex trips. I did them to explore certain abandoned places, *a lot of which don’t exist anymore as described in this article*, with little time for other things to do, except enjoying local food after sunset. And I didn’t think much about it, because I lived in Japan. I could go sightseeing at any time anyway! Meanwhile Abe and his monkey bunch decided that Japan should be a vacation destination (under his reign the number of tourists exploded from 6.2 million to 31.9 million visitors!) and aggressively pushed for overseas tourists by devaluating the Yen, propaganda campaigns and tax exemptions for shoppers from overseas while raising taxes on his own people, including doubling the consumption tax in two steps. Anyway, Japan became more and more popular worldwide, including among urban explorers, some of which came for hardcore trips with half a dozen locations per day, hardly any sleep, and definitely no sightseeing – which changed my attitude towards my own trips within Japan significantly around 2015/2016, because I felt so sorry for those poor souls who came all this way and experienced little more than moldy buildings similar to others in the rest of the world. Unfortunately for me around that time Japan had already passed the 20 million mass market mark, 5 times as many tourists as I was used to in 1998. Nearby places like Kyoto and Nara had already become unbearable as I found out on occasion when friends and family visited me in my new home country, but even in places like Otaru I heard more Chinese than Japanese in the streets as tourists from China went from 267k in 1998 to 9.6 million in 2019, the last full year of worldwide tourism before the coronavirus. To me overtourism is one of the ultimate turnoffs in life. And that’s a general thing. When I’m in Otaru I don’t want to hear Chinese everywhere, when I’m at the Great Wall I don’t want to hear Italian everywhere, when I’m at the Coliseum I don’t want to hear German everywhere, when I’m at the Berlin Wall I don’t want to hear Russian everywhere, when I’m at the Red Square I don’t want to hear French everywhere – and when I’m at the Eiffel Tower I don’t want Japanese to be the dominant language. So as much as I tried to implement touristic places into my urbex trips I mainly limited them to rather off the beaten track locations like Hirosaki or Lake Ikeda, because even places like Hakodate, Kanazawa, or Nagasaki had been overrun by the Eurasian hordes. (And it’s not just the amount of people and their constant yapping, it’s also the (misbehaving) type of people that visited Japan in recent years. When the country was still special interest, in the 20th century, people went to Japan for specific reasons; to see or do something, to educate themselves about a certain topic – nowadays it seems to be a cool Instagram location for dumb phonies with selfish sticks that book flights to Japan and then go through the Top 5 lists on Instagram, Tripadvisor, or some “True soul of Japan!!!” blogger to find out what they can actually brag about on social media with. The amount of signs EVERYWHERE about “How to use a toilet!” / “How to not misbehave!” in four languages has become ridiculous and should be embarrassing to every person visiting Japan. Unfortunately most tourists don’t seem to be bothered by those signs as they are too self-absorbed and busy taking selfies, but as somebody who lives here I feel bad that locals need to state the obvious so often as visitors have become a serious nuisance.)

When the coronavirus spread across the world in late 2019 / early 2020 Japan was one of the last countries to close its borders, desperately clinging to its Frankenstein’s monster tourism industry and the Tokyo Olympics. Despite that, the country was hit much less hard than most others due to cultural coincidences – Japanese people are not exactly affectionate in public / outside of the family, and wearing masks is a long-standing flu season tradition, so what prevented spreading the coronavirus (avoiding close contact and wearing masks) was common practice in Japan anyway. If kisses on the cheeks and drinking red wine would have prevented the disease, France would have done much better and Japan would have been screwed… Anyway, Japan did comparatively well (though it is currently hitting record high numbers!), so the overall terribly phlegmatic Japanese government imposed only few restrictions, most of them in form of “recommendations”. Since recommendations usually are considered orders due to preemptive obedience, I spent most of the summer 2020 working from home, a liberating and deeply frustrating experience at the same time as I didn’t meet any friends for months and left my hamster cage maybe three times a week for grocery shopping to avoid the second wave, that’s it; work, eat, sleep, repeat. The same for a few weeks around New Year’s Day – while Japanese people were visiting their families (recommendations are only followed unless people really don’t want to…) I sat alone at home and skyped with mine to get past the third wave.

February: Matsumoto, Nagano, Obuse, Gero, Takayama, Shirakawa-go, Kanazawa
In early 2020 things went “back to normal” in Japan with as few as 698 new cases per day nationwide (Kanto and Kansai being responsible for the vast majority of cases and some prefectures going down to 0 active cases and no new infections for weeks!), so I decided to jump on the opportunity and visit some places that had been unbearably crowed in the last five to eight years – especially since some of my regular co-explorers had become increasingly busy with fur and other babies. My first main destination on February 12th, after nights in Matsumoto and Nagano (where I had been years prior on the way to the abandoned *Asama Volcano Museum*), were the famous onsen snow macaques in the Jigokudani Monkey Park; a place so touristy and swamped that my buddy Hamish discouraged me from going there many, many years ago. Upon my arrival towards noon I shared the park with hardly more than a dozen people, and that number barely doubled during my hour long stay there – now that turned out even much better than I had hoped for in my wildest dreams! 🙂 So for the next weekend I made even bolder plans, for a place usually so overrun by busloads of foreign and domestic tourists that you could have offered me serious money to go there and I would have declined without hesitating – Shirakawa-go in winter! And to make it the ultimate challenge I added Takayama the day before and Kanazawa the day after, with a quick stop in Gero on the way to Takayama. What can I say? Gero was lovely, Takayama absolutely gorgeous, Kanazawa virtually empty (I was able to take photos in the old samurai district without people ruining them!), and Shirakawa-go… Shirakawa-go was still busy, but bearable. Already borderline too busy for my taste, but knowing that there usually were five or ten times as many people made me enjoy my visit much more than expected. (The car parking lots were rather busy, the bus parking spots basically empty – the lack of mass tourism saved my day!)

March 2021: Hokkaido, Yamaguchi, Kamakura / Hakone
March started with another touristy trip to Hokkaido. If you are a regular of Abandoned Kansai and paid attention reading my article about the *Toya-Usu Geopark* you already know that I had been up north in early November – too early for the drift ice of the Okhotsk Sea, so I went back just four months and a coronavirus wave later. Despite the unusually warm weather in Abashiri (10°C!) I was able to experience the drift ice by pure luck before moving on to Kitami and the peppermint museum, Onneyu Onsen and the fox farm, as well as the mostly closed Sounkyo Onsen and its ice festival (-9°C and strong wind!). Also worth mentioning was my stop in Asahikawa and its cross country ski track right behind the main train station in the city center. Gotta love Japan! Two weeks later I took advantage of the early cherry blossom season and went south – Iwakuni, Tsuwano, Hagi, and Akiyoshido / Akiyoshidai. All four places rather off the beaten tracks, but even more so in the spring of 2021. On both of those trips I didn’t see a single non-Asian person after my first stop (New Chitose Airport and Iwakuni respectively), which gave me serious flashbacks to 1998 – not only did I enjoy both of those trips tremendously, I felt young again! 🙂
Next a trip to Kanto (Kamakura, Odawara, Hakone) with a quick stop in Omihachiman on the way back – as expected full of ups and downs, both literally and figuratively… and with significantly more people than on the trips before. Overall worth the time and effort, but especially Hakone seemed terribly overrated to me (the Museum Of Photography is a joke, but the pizza at 808 Monsmare made up for that disappointment).

April: Tateyama Kurobe Alpine Route, Tsumago / Magome
Which brings us to April and one more cliché destination for Instagram victims: the Tateyama Kurobe Alpine Route with the Tateyama Snow Wall and the Kurobe Dam. The latter is impressive, but in the end just a dam with little to see and do in spring, whereas the snow wall is only accessible / existing in spring as that part is closed in winter. Summer and autumn promises tons of nature, a boat cruise on Lake Kurobe, and heaps of hiking trails, but when you do the route in spring you basically only get the snow wall and lots of waiting in line without proper social distancing / climbing stairs. Really disappointing! Fortunately I was able to visit two gorgeous post towns called Tsumago and Magome on my way back to Osucka, which was absolutely lovely – I’d call them hidden gems, but Magome was already surprisingly busy, I can only imagine how insanely crowded the town has been and probably will be again soon.

May: Oga, Akita, Tsuruoka, Niigata, Aizu-Wakamatsu, Ouchi
Golden Week was my final opportunity to travel before most of Japan will turn into a hot and humid hellhole for about four months, so I went to Tohoku for the first time in three years, mainly for those locations: The Namahage Museum in Oga, Dewa Sanzan and the five-storey pagoda of Mount Haguro as well as Aizu-Wakamatsu for the Sazaedo (a 225 year old wooden temple with a double-helix staircase) and the Ouchi post town – and my really high expectations were fulfilled and partly surpassed. All of those places were absolutely gorgeous, especially the pagoda and the temple; both of which I had to myself for a couple of minutes between small groups of people supporting domestic tourism like I did. To get to Ouchi I took a tourist train to Yunokami Onsen that featured animations in dark tunnels and made special stops at Ashinomaki Onsen Station (as it “employs” cats as the station master and the rail manager…) as well as at scenic spots along the route. I was the only passenger that day, so the train driver consulted with the conductor that I had taken all the photos I needed before continuing, while the train’s shop lady (on special trains exclusive merchandising is often sold) was visibly amused by the situation; of course there were limits to that, bit apparently we had two or three minutes of wiggle room and weirdly enough they let me take advantage of that!

Final thoughts
Attached you’ll find a rather large gallery… the largest in Abandoned Kansai history. All photos are freehand snapshots as I didn’t bring my tripod or much time to any of those late winter / early spring trips, on some of which I struggled with the weather and lighting (wind, rain, snow, rather extreme temperatures, (lack of) clouds, darkness). Despite having done a lot less urbex than usual this year, this was definitely my most active and probably my favorite spring I’ve spent in Japan. Overtourism has become a problem for many countries and maybe this health crisis will initiate some change – domestic tourists should be more appreciated instead of alienated… and quality instead of quantity be attracted!
I don’t think anybody who experienced 31.9 million tourists to Japan in 2019 really wants to live through 60 million tourists in 2030… Not even the many of my friends who actually work(ed) in the tourism industry!

Oh, and if you are interested in specific locations or trips let me know – I might expand some of those quick sneak peaks into full articles. But first I will publish a spectacular abandoned place next week, one of my all-time favorites. Easily Top 10! 🙂

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The Japanese Art School in the mountains of Okayama was one of those mysterious and legendary places I wanted to visit for years, but wasn’t able to find… and in the end I barely made it!

In spring of 2014 I was exploring the *White School* with my urbex buddy Rory when… Darn, I actually forgot the details of the story. We finished exploring the school and somehow we talked about the art school, though it wasn’t even on our schedule for the day. I think Rory’s wife, who helped me out finding the *Japanese Gold Cult*, pinned down the general area of the Japanese Art School the day before and we had to decide whether wanted to head to a mediocre *haikyo* I located exactly… or if we wanted to roll the dice and go for the unknown. So we headed north, deeper into the mountains. We knew that the school was near a very countryside train station (5 connections per day in each direction!), but that almost turned out to be a dead end. Rory tried to call his wife for more details while we spent about an hour or two on foot and by car looking for the art school. Running out of time we dared a most desperate move: We just stopped at a house near the train station and asked the people living there if they knew about the school. Not only did they in fact do, the lady of the house was even willing to escort us there! A kilometer can be near, but it also can be very, very far… especially when you have to turn half a dozen times and don’t know where.

The sun already started to set when we arrived at the school and I knew that time was of the essence. Access was surprisingly easy, though navigating was rather tough due to serious damage to the wooden floors. While I am still not 100% sure what the Japanese Art School really was, it turned out that at the end of its use it had been a private company – originally it was a local elementary school, closed in 1975. Japanese urbex blogs always portrayed it as an art school, but upon arrival (and based on what our lady guide told us) it was pretty clear that there was more to it. We entered through a massive hole in the wall and stumbled into some kind of warehouse I was never aware of. 40 years prior it must have been the main auditorium of the school, but now it was filled with boxes and crates full with all kinds of art supplies: colored pencils, oil colors, engraving knives, watercolors, little bottles and flasks and even models of pagodas and horses. Dozends, hundreds, thousands – depending on the item and its size. A lot more stuff than an art school could make use of in decades! One of the former class rooms was equipped with a heavy machine to help casting busts and masks, bolted to the wooden ground; the room next to it was a storage of those busts. The second main building was stuffed with all kinds of art equipment, too, including a room focusing on sewing. And one thing was pretty clear: There wasn’t enough space to house a full-blown art school, even if you would limit it to painting and sewing. The whole thing looked more like an art supplies company that manufactured busts and masks (some of which I had seen before at the amazing *Shizuoka Countryside School* and other places!) and probably offered hobby arts and craft lessons to the locals.

For a little under two hours I felt like a kid in a candy store… or a nerdy kid in an art supply store. There was so much to see, so much to discover! The auditorium alone would have deserved two hours, but I had to rush to see everything – I wouldn’t have had time to open boxes or drawers even if I would have wanted to. Interestingly enough this forced me to be creative with angles, focal lengths and exposure times. Overwhelming and challenging, the Japanese Art School was all I hoped for. And it left me yearning for more, which is one of the best things in life; having a great experience that makes you desperately wanting more… like a fantastic first date!
Sadly my heart was broken just half a year later, in September, before I was able to see the Japanese Art School again – it was cleaned out and most likely demolished…

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The Jonan Junior High School a.k.a. the White School is one of those abandoned places that are spectacular in very subtle ways.
Japan’s countryside is full of old schools, ranging from barely open for business to closed and preserved to closed and locked up to just abandoned to collapsed. But one thing all of them have in common – they are brown wooden buildings, inside and outside; at best they have a protecting frontage to prevent or at least slow down decay. (*A prime example for such a school you can see here.*)

At first sight the Jonan Junior High School was just one more of those schools somewhere in the Japanese mountains. From the distance it didn’t even look abandoned. Closed at best / worst. But upon closer look it became quickly evident that *Rory* and I found the right place. Fenced off by a rusty barbed wire metal construction, the back of the school revealed a partly collapsed wooden restroom building. After we found a way on the premises we were lucky to find a way in – a couple of boarded-up window were proof that somebody had taken care of the school for a while, and that vandalism is a problem even in countryside towns.
At first the White School is amazing – a large wooden hallway, almost looking endless through an ultra wide-angle lens. Whoever closed the school decided to take out the interior walls that made up the classrooms, so the wooden two-storey building basically consisted of two long hallways, two gigantic rooms with support logs and two staircases, plus smaller rooms on the upper floor. All painted white! But after about 15 minutes of excitement one quickly realizes that there is not much else. A photo on the wall on the lower floor, some rather random items left behind in one of the small rooms on the upper floor, that’s i t. And that’s usually all you get to see when the White School appears on the internet.
Luckily there was more to see. Several more buildings actually, but none of them were painted white, so I guess nobody gives them much attention. First there was the apartment of the caretaker. The kitchen was still in decent condition, but the floor of the living room collapsed and it was rather dark inside. And then there were three smaller school buildings, looking similar from the outside, but brown inside. And indeed, after being flashed by the white empty main building the common brown areas looked rather boring, almost dull.

Nevertheless it was a great experience to finally explore the White School. It came to my attention quite a while ago and due to circumstances out of my control it took me a while to finally have a look myself – and I enjoyed it as it is such a unique place to see. Not worth to spend a day trip on, but perfect when on the way to an even better location, borderline mind-blowing, to be honest… But that’s a story for another time! 🙂

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Merry XXX-Mas everyone!

The Love Hotel tinna is one of those locations that are giving me a headache. On the one hand I am happy about every exploration, on the other hand… this was barely an exploration and I have hardly enough material for an article. About 20 months ago I was walking along a countryside road on the way to an abandoned place I was looking forward to explore, when I came across the tinna Love Hotel by chance. Not sure how the rest of the day would turn out I passed without a closer look, but considered having one on the way back. If it wouldn’t have been for the ropes blocking off the car entrance I probably wouldn’t have even realized that the place was abandoned or at least closed.

Two hours later I was on my way back to the train station – and since I wasn’t in a hurry I indeed had a closer look. Entering the premises and getting out of sight was quick and easy, the ropes were more or less symbolic. Luckily the sensors at the entrance must have been for triggering lights back in the days, because they surely didn’t cause an alarm to go off.
The back of the love hotel looked a little more abandoned, but just barely. Each room came with a separate garage – you drove in and shut the plastic curtain to get your car some privacy. The room rates (rest / stay) were written at signs next to the doors – which were all locked. That fact makes this article even duller, especially since I don’t know anything about the history of the Love Hotel tinna. I guess it was abandoned just weeks or a few months prior to my visit, but it’s hard to tell for sure. On the other hand: a lot of westerners don’t know much about love hotel, so here you can finally see some exterior shots. For interior shots you might want to have a look at the two articles about love hotels I published in 2011 and 2012. The one about the *Love Hotel Gion* is all about love hotels in general and how big the business is (a whopping 50 billion $-US!), the one about the *Furuichi Love Hotel* is more about dating in Japan and why some Japanese women were once called “Leftover Christmas Cake”…

And that’s it for this week – Merry XXX-Mas!

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Tottori is famous for its sand dunes, vast natural parks and pear omiyage – not for urban exploration. Located in the Chugoku region at the Sea of Japan (a.k.a. Korea East Sea and Japanese Sea) and therefore at the northern coast of Japan, Tottori is a little bit off the beaten tracks – most tourists travelling south of Tokyo continue via Kyoto, Osaka and Kobe to Himeji, Hiroshima and Kyushu along the Seto Inland Sea. Only a handful of Western tourists switch to one of the express trains from Kansai to Tottori (city), the capital of Tottori (prefecture) – there is no Shinkansen service as a northern line connecting Osaka and Shimonoseki via Tottori and Matsue was proposed in 1973 and then shelved indefinitely. The least populous of Japan’s prefectures (3.5 million inhabitants, less than the city Yokohama) is generally rather rural and agriculture is the most important economical factor – pears, scallions, yams and watermelons from Tottori are famous in all of Japan.

One thing Tottori is not famous for is urban exploration. Nevertheless I had plans to go to Tottori for almost a year, but for some reason I never followed through. The places I wanted to visit there were not that spectacular, the weather wasn’t consistent for a whole weekend, the season wasn’t right or I simply had other plans. In spring of 2012 everything came together finally, so I hopped on the first of eight special direct trains to Tottori and enjoyed the 2.5 hour long ride through the stunning Chugoku Mountains. After finding and checking into a hotel I did some haikyo hiking to another location and finally arrived at the gorgeous Tottori Sand Dunes in the late afternoon – running out of time, as so often.
The Sand Dune Palace turned out to be quite a rundown building secured by rusty barbed wire, only worth taking pictures of thanks to its relative fame and the round viewing platform which gave this old rest house (built in 1965) a little bit of an edge by making it more round… The salty sea air was gnawing through anything metal, especially lamp posts and handrails. All the bells and whistles, like door handles and lamps looked so 60s that it almost hurt the eyes. Really nothing special, so I headed over to the dunes to find my way to the beach in order to take some sunset photos. On the way back, late into dusk, I made another quick stop to take a couple of night shots, but then I had to leave to catch the last bus back to the city – it was an exhausting day and sadly not everything lived up to my expectations; for example the Sand Dune Palace – the pear sweets on the other hand were divine and if you ever go to Tottori, make sure to try the “nashi usagi” (literally “pear rabbits”, mochi filled with pear jam).

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All of the photos I publish with articles on Abandoned Kansai are without any form of enhancing post-production – I don’t even crop them; they either look good or they don’t. Every once in a while I like to play with an HDR tool or two. I wouldn’t call those photos enhanced or improved, I would barely call them photos anymore. That’s why I created a sub-page for them in the background. Today I added ten more of those little artworks to that page. *Please click here to have a look!*

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June is probably the worst month to spend in Japan. While the temperatures are still at a bearable level (25 to 30 degrees Celsius / about 75 to 85 degrees Fahrenheit) the humidity goes crazy thanks to the rainy season. Six weeks of rain, probably on five days a week. Not fun when you like to spend your time outdoors.
Four weeks into the 2012 rainy season the weather forecast announced a whole weekend without rain and I got excited. Finally some urbex again, even an overnight trip for two days. Of course on Friday the forecast changed from two days of sun to sunny on Saturday and rainy on Sunday, but one day of exploration is better than none, so decided to finally visit the “Red Factory”, a favorite of Japanese blogs in the first half of 2012. It was in day trip range, but nevertheless a pain in the ass to get to due to its remote location. The closest train station was about 11 kilometers away, with buses running twice a day on weekends, at 12.30 p.m. and 5 p.m., going back to the station at 7.30 a.m. and 1.30 p.m. – which meant a pretty long walk on the way back…

At least I was able to sleep in on Saturday, only to find the weather wasn’t sunny at all. Not even cloudy. It was overcast, pretty much the worst weather for photography. June in Japan…

3 hours later (2 hours on several trains, then half an hour waiting for another 30 minutes on a bus) I finally reached the Red Factory on this hot and humid, but not sunny, Saturday – and I was a bit disappointed, to say the least. The place was not nearly as big and not nearly as red as I imagined it to be (I picked the “most red” photos for this article…). And the road there was impassable for cars due to a retractable road block I hadn’t seen on any photo before. The first factory building, empty on old Japanese blog entries, usually not to be seen on newer ones (a fact I didn’t realize during my research, of course) was filled with all kinds of canisters, tools and cars with white and yellow license plates – which means privately, not commercially, used vehicles. It looked like somebody started to use the factory as storage buildings. Great… infiltration, not exploration.
Cautiously I continued to walk up the mountain. Next building – a brand-new midget tractor. All the other buildings were pretty much broom-clean. Not exactly what I expected. And what about the partly overgrown house on the other side of the small river running through the factory area? Hastily I quickened my pace to reach the top of the factory area, not sure anymore if it was still abandoned. 50 meters of elevation gain later I reached the end of the factory area. Nobody there, so at least I was sure no human surprises were waiting for me in the back. An animal surprise was there though. A dead animal. Well, more than dead – the skeleton of a deer, most likely a Sika Deer or Japanese Deer, cervus nippon nippon. At least a dozen Japanese urban explorers went to the Red Factory that year and none did care to mention that the place was in use and that parts of a deer skeleton were lying in front of one of the buildings. What the heck…?!

From that point on the exploration was pretty much easy going. Of course I was still worried that somebody would show up, but I was way too busy to avoid spiders, snakes and other animals in the buzzing summer season.

Sadly there is not much I can tell you about the history of the Red Factory. In Japanese it is usually called the Red Ochre Factory, so given the looks of the factory it’s safe to say that the facility was used to produce red ochre from yellow ochre. Captain Obvious strikes again!

Aaaand… that’s pretty much it. Unspectacular exploration, getting there and back took much longer and was much more of an effort than actually exploring the Red Factory. A bit disappointing since I had great expectations, but after sitting at home for several weeks due to the weather it was a welcome change… (The walk back though wasn’t fun at all. Jeans, hiking boots, full camera equipment on an extremely humid day along a river – 11 kilometers in under two hours or I would have missed the train, running every 60 to 90 minutes.)

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I planned to publish a video with this article, but Youtube seems to be a bit bitchy again on this computer – I will upload it most likely on August 26th.

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The abandoned Okayama Hospital is a place of many names. Okayama Countryside Clinic (like the *Tokushima Countryside Clinic*) would have been an appropriate name, too, but Japanese blogs usually call it the Setouchi Clinic – which I think is a rather risky name as, in my humble opinion, it gives away too much about its location…

I was trying really hard to write an entertaining text about the Okayama Hospital Haikyo, but sadly there is little to nothing known about the clinic – and the current humid heat here in Osaka (up to 37°C and up to 84% humidity) didn’t exactly help either. Judging by the mansion-like looks of the estate it must have been built during the Meiji or Taisho era – a traditional Japanese style complex with massive boundary walls. I don’t know when the clinic was abandoned, but I guess it was about 20 years ago. Overall it was in good condition, but nature was claiming back the living room and I saw a decently sized hole in the floor of the reception – probably a previous explorer crashing through the wooden planks.
The owner definitely moved out, but left behind quite a bit of both medical as well as everyday life items. Since I visited the clinic, well hidden by a completely overgrown garden, on a rainy summer day, it was quite uncomfortable to explore – not nearly as bad as the mosquito ridden hellhole known as *Doctor’s Shack*, but still bad enough. It obviously also affected the lighting in the clinic, so I decided to publish this set in monochrome. For some reason monochrome works well with abandoned countryside clinics. (If you watch the video and think “But the sun is shining outside!” – yeah, for about ten minutes while I was there… and then for the rest of the day right after I left the clinic!)
Since the weather is killing me and there is not much to say about the clinic anyway, I will keep it short this week – overall it was a good location with some neat little details (I love the clock, the two phones and the katakana eye test!), but the *Tokushima Countryside Clinic* is still unrivaled when it comes to abandoned village doctor houses…

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I visited the *Japanese Sex Museum* for the first time in March of 2012 – it was not only a very unique exploration, it was also a very long one, me spending about 4 hours in the pitch-black exhibition rooms.
About 2 months later *I went to Kyushu and failed miserably* when I was unable to find a hotel room due to Japan’s wanderlust during Golden Week. I can be quite persistent, so I went back down south a week or two later to explore the northern Kyushu locations I was eager to visit for quite a while. This time everything went according to plan, so my tour ended in Yamaguchi prefecture with half a day to spare. So I jumped on a train and went back to the Japanese Sex Museum.
A ton of people watched the walking tour video I shot there, but while the feedback was generally positive, some viewers thought that it was way too short, being only 6 minutes long. Open for constructive criticism my idea was to go back to the museum, shoot a longer video and maybe take some additional photos. In and out in an hour, two tops – I had been there just recently, how much could have changed in less than 2 months? Well… I left after four hours to catch my last train back to Osaka!

Interestingly enough not a lot changed. The place looked almost the same, except for one minor difference – somebody opened two doors, emergency exits, allowing not only some foliage to enter, but also a few rays of light. Not much, but enough to use natural light with the help of a tripod and long exposure times for almost every single photo. During my first visit I had to illuminate about 80% of the photos manually and individually with a flashlight since it was completely dark in most of the rooms. On my second visit the process was almost as time-consuming as before, but the photos looked completely different, even when I took pictures of the same objects. And so one hour turned into two turned into three turned into four…

This is actually more or less a photo and video update since I already wrote about the sex museum’s history in my previous article – and since nothing happened while I revisited the place, here is the new material for your viewing pleasure without further ado. Enjoy!

(If you don’t want to miss the latest article you can *follow Abandoned Kansai on Twitter* and *like this blog on Facebook* – and of course there is the *video channel on Youtube*…)

Addendum 2014-07-11: According to a friend of mine the museum has been demolished a while ago – R.I.P.!

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Timing is everything, at least in the world of urban exploration. If you come too early a place is still in use, if you come too late it’s demolished. If it has security you need a special kind of timing, but even regular explorations need some planning. Some locations are only good at certain seasons – a lot of mines in Hokkaido are inaccessible in winter due to snow, other mines in Kansai are inaccessible in summer since they are completely overgrown. And don’t even mention mosquitos, snakes and spiders!
The Tatsuyama Mine falls in the “inaccessible in summer” category. Luckily I, my buddy Dan and two of his friends went there in spring, when the green hell was nothing more than a brownish limbo. Nevertheless our timing wasn’t perfect – basically because we were running out of time. The Tatsuyama Mine (literally: Dragon Mountain Mine!) was the last stop on a looooong daytrip and we really had to rush to make it to the mountainous Okayama countryside after visiting the abandoned *Japanese Strip Club* and before the sun went down. The sun sets early in Japan, especially in spring, especially in the mountains, but Lady Fortune was on our side – the valley the mine was in opened to the west, allowing us to make the most of the little daylight that was left. On the long drive there I almost gave up hope that we would arrive on time, but in the end we had about an hour… little compared to what we could have used for a proper exploration (3 to 4 hours!), but still better than nothing.

The Tatsuyama Mine is one of those locations everybody seems to know about, but hardly anybody writes about. Photos pop up here and there, but little is known about this abandoned copper mine – except that it was closed in 1961. Yes, 1961. A solid 50 years before me and my friends had a look… Deserted before most other locations presented on Abandoned Kansai were even built!

Unsure what to expect we parked the car on the “main street” and rushed on foot down into the valley, passing shacks we probably would have ignored even if we would not have been in a rush. The mine was built on a slope right in front of us, and then I saw a rather big wooden house appear to the left. While my friends continued straight ahead I quickly entered the building for a short look. There was not much interior left and the staircase to the upper floor was falling apart, so I continued to the mine itself – after a bat let me know that it was its house, not mine. Realizing that soon it would be too dark for a decent video I went back and shot a walking tour for my memories and your viewing pleasure before climbing the slope, partly inside, partly outside of the concrete and wooden structure that once was probably was the sifting plant of the Tatsuyama copper mine. At that point I was really happy to be there in early spring, not in summer – no poisonous animals, no plants blocking progress and light.
The concrete parts still seemed to be in solid condition, but the wooden parts were fading away; not really a surprise after 50 years. With barely any time left I didn’t have to make tough decisions though if it was worth risking a broken leg (or neck…) entering certain parts – I just wanted to get to the top and down again before it was getting dark. With advice from my friends (“Go that way to reach a higher level!”) I actually accomplished that, even finding the entrance to the mine near the top of the plant – now blocked by a small dam (i.e. earth and stones…) and completely filled with water.

I am a huge fan of abandoned mines! The aesthetics of brittle wood, rusty metal and concrete structures just don’t get old to me (no pun intended…), so I enjoyed every second exploring the Tatsuyama Mine, although I wish there would have been more time. Well, maybe a revisit is in order, though it’s unlikely given that the mine is in the middle of nowhere, about 2.5 hours by car from where I live…

(If you don’t want to miss the latest article you can *follow Abandoned Kansai on Twitter* and *like this blog on Facebook* – and of course there is the *video channel on Youtube*…)

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