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Archive for the ‘Dark Tourism’ Category

Tourism to Japan is at an all-time high, so I guess it’s time for another urbex location for tourists. Enjoy a walk in the park and check out this abandoned water wonderland by simply looking over / through fences!

I’ve talked about the risks of urban exploration plenty of times in the past – and all those nuisance streamers and urbex tourists from overseas don’t make the whole thing easier for us locals, who just want to enjoy something fun to do in our spare time. Life in Japan is tough enough…
A couple of years ago I created a *Special “Urbex for Tourists”* to point out places where people can enjoy the aesthetics and atmosphere of abandonment without all the pesky dangers. Places like *Ikeshima*, *Tomogashima*, and *Okunoshima*. For today’s location though you don’t have to take a boat to a shima… pardon… island! You don’t even have to leave Tokyo. The now abandoned Rainbow Pool sits right there for you to enjoy in Showa Memorial Park, next to Nishi-Tachikawa Station in the outskirts of Tokyo. All you gotta do is get there, pay up (450 Yen entrance fee!) and enjoy.

I guess it’s this Matryoshka doll system of organization that makes the Rainbow Pool not really viable as a typical abandoned place. When the park is open, there are so many people present even on an overcast weekday, that there is basically no chance you would be able to jump a fence and explore the place without getting caught. When the park is closed, you would have to break into an active location, most likely while it’s still or already dark, and then you would have to jump a fence to explore the Rainbow Pool – with the risk of triggering god knows what kind of alarms or running into security / regular employees doing whatever they are paid to do in the park during off-hours. There are many much easier to explore water parks, which is probably why I’ve never seen the Rainbow Park on regular urbex sites.
So, what else is there to say about this place? You can walk along the fenced Rainbow Pool area (up until summer 2023 it cost an additional access fee, so of course it was always separated from the main park) and enjoy the abandoned looks of it – maybe take some photos over / through the fence. It’s not a real exploration and of course it’s impossible to get any really interesting shots that way, but it literally is a relaxing walk in the park, so why not? Not all explorations are enjoyable or spectacular or exciting – and overall it was still an above average experience, especially in combination with the autumn leaves at the time. So, yeah, have a look yourself, if you are in the area, and support a local park with your 450 Yen. And if you would like to know more about abandoned places for tourists, *check out this article*. 🙂

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I’ve been urbexing for almost 15 years. During that time I’ve never written any articles about equipment, despite being very happy with three different Nikon DSLRs, two Manfrotto tripods, and a Sanyo video camera – which broke in 2019 after almost 15 years of recording countless hours at hundreds of locations as well as places like Chernobyl and North Korea. Videos I always considered a bonus anyway… and I’m still having a hard time thinking of myself as a photographer, given that I have no formal education in that field and only do it as a hobby. A really time-consuming hobby, but nevertheless just a hobby. I also don’t have a background in technology, so what’s the point of reviewing camera equipment when I just have an opinion based on learning by doing? Well, that doesn’t keep countless “influencers” and Youtubers from churning out incompetent nonsense, but I wouldn’t want to be found dead with either label on me! And like my favorite professor at university once said in regards to papers we had to hand in: “Don’t claim anything you can’t proof!”

Fortunately there is no need to be technical or scientific about this Insta360 X4 article, because unfortunately we never got that far…
Like I said, I always considered video walkthroughs of the locations I explore a bonus. I started them pretty much right away, but at first I didn’t even publish them, because I only took them for myself. And even when I published them, I didn’t edit them. No cuts, no voice overs. Just me walking around breathing heavily into the silence. That all came to a sudden halt when my Sanyo stopped working after exploring the abandoned *Trump Hotel*, also wiping out the recordings of the whole day. At that point I was tired of doing the videos anyway – and my co-explorers were increasingly annoyed, because I added 10 to 30 minutes at the end of every exploration for the walkthrough. So I stopped doing them.
For the past 18 months I’ve been exploring solo again (don’t ask, it’s complicated and often quite frustrating, to be honest), but a few weeks ago a colleague of mine showed me an older model Insta360 video camera that a visiting cousin from the States forgot at his place in Japan. I was fascinated by the easy to use 360 photos and videos, so I did some research and decided to get one. I’ve read reviews, I’ve read product pages – I did my best to make an informed decision, because at first I considered buying the X2 or X3 as older models often are cheaper with only slightly fewer / worse features. The X2 was out of the race when I read in a review that it required a smartphone to be activated – something I didn’t read anywhere about the X3 and X4. I guess because it’s an idea that is so stupid that it probably was a one-time mistake by Insta360, facing so much backlash that they removed the requirement from following models. The price difference between the X3 and X4 wasn’t very big and since the latter was only four weeks old at the time, the price on Amazon and in brick and mortar stores was the same, so I decided to get it at my local Yodobashi Camera (street block sized electronics stores with hundreds of employees each, in case you are not familiar with the chain), where I’ve been a customer for almost 18 years – ever since I moved to Japan.
BIG MISTAKE!

Yodobashi Camera was extremely stingy, giving only 1% points on the video camera, despite a promotional campaign of giving 13% points for purchases over amount X – except for (small print)… But when you shell out 80k Yen on a new video camera you are looking forward to use, store points are the last thing you worry about anyway. Fortunately I still had some of those points, which I used to get a seriously overpriced MicroSD card, because without it the video camera would be useless and I wanted to try it out on the weekend before an upcoming urbex trip. 83500 Yen poorer, but with a big smile on my face I left Yodobashi Camera on a Friday evening after an otherwise pretty horrible week.

Saturday was supposed to be a great day, though it started with a rude awakening / realization…
After sleeping in and having a delicious breakfast, I enjoyed a nice unboxing. The first slight disappointment was when I realized that the included battery was dead. Well, not dead dead, but completely empty. Whatever, an hour or two wouldn’t make a difference. It would not dent my great mood for sure. That came a few hours later when the battery was fully charged. I booted the small brick for the first time, its screen came to life, asking me to choose a language – and then the screen showed what the camera was seeing… for about a second or so. Then some text popped up and my heart sank. You gotta be kidding me! What I was looking at was a screen telling me to download an app by Insta360 to a smartphone, iOS or Android, to unlock the video camera. What. The. Heck? I literally felt it in my fingers how my blood-pressure exploded, because unlike pretty much every person on the planet above the age of 6 years I don’t own a smartphone. Never have. In the late 90s I had a black and white Nokia for work (yes, I’m not the youngest anymore, though I started working full-time in my early 20s). When I moved to Japan I had a flip phone or two, but for the past 15 years or so I didn’t have any mobile phone at all, smart or not, because I don’t like them as they turn way too many people into dumb zombies. So here I had a brand-new, quite expensive video camera… that forced me to make it usable by using another device with cameras? Who comes up with stupid ideas like that?!
Certainly not Nikon! Their D7500 DSLR I bought just weeks prior worked with a partly charged battery and regular SD cards straight out of the box 5 minutes after purchase – without any charging or unlocking BS!
So I started to do some research… and didn’t find much. Like I said, I couldn’t care less about smartphones, apps and all that stuff, so I tried to find a solution to unlock the darn X4 via PC or MicroSD card. Of course I couldn’t find anything about that either, so I contacted Insta360 directly – who apparently didn’t read my message and instead sent me a standard reply. So I got back to them, apologized for not describing my problem properly (I’ve been in Japan too long…), and this time got an answer that at least implied that they understood the situation I was in – without being able to help, because though it seems to be nowhere stated on the box, the promo material or even on the X4 website (at least back in mid / late May, maybe they changed it by now)… you really need a smartphone and the Insta360 app to use a newly bought X4 video camera, that seems to work perfectly fine, but is made not usable on purpose by the manufacturer. Which absolutely blows my mind!
How is that even legal?
How can a company force you to use a completely unrelated piece of expensive technology that actually partly does the job of the product you just bought, to make your purchase usable? Without mentioning that essential detail with big warnings before purchase! And in addition, forces you to use an app, which does who knows what in the background without one knowing?
What’s next? You need an electric bike with WiFi to unlock your newly bought car? And if you don’t… sucks to be you, it’s completely useless!

Yodobashi Camera – (The Lack Of) Customer Service In Japan!
After some back and forth it was Monday and I came to the conclusion that I won’t be able to use the Insta360 X4, because it really needs a smartphone to unlock, which wasn’t properly communicated. So after work I went back to Yodobashi Camera, my go-to electronics store for the past almost 18 years. Never had a problem with them, because all the products I bought worked as intended right out of the box. So I went back to the cashier counter where I bought the video camera… and already ran into the first minor bump in the road – apparently I hadn’t paid for it in the camera department, but a neighboring one, which wasn’t a problem on Friday evening, but very well on Monday evening. So I went 20 meters over to the camera department and told them about my unfortunate situation: That I had bought this video camera three days prior, but couldn’t use it, because it doesn’t work without a smartphone, which wasn’t properly communicated by Insta360 or Yodobashi Camera. But I was very careful with everything, I didn’t even remove the protective film from either of the lenses. Some air through the teeth sucking, some going back behind the counter to talk to a superior and then something like the following conversation – it’s in quotation marks, but they are not really quotes, you know… just something like that, from memory:
“I can’t sell this anymore, you opened the box. You can’t return it.”
“But I can’t use the video camera.”
“I can’t sell this anymore, you opened the box. You can’t return it.”
“I don’t have a smartphone. The X4 is useless to me.”
“I can’t sell this anymore, you opened the box. You can’t return it.”
“I did proper research and I only found out about this after I opened the box and tried to use the X4.”
“I can’t sell this anymore, you opened the box. You can’t return it.”
“I bought a D7500 last month, it worked out of the box…”
“I can’t sell this anymore, you opened the box. You can’t return it.”
“Then take it back and ask Insta360 to exchange the X4 – you have dozens of them here, you probably have to return one once in a while anyway.”
“I can’t sell this anymore, you opened the box. You can’t return it.”
“Are you serious? I’ve been a customer here for almost 18 years, spent millions at your store and other ones in the building that has your name. Never had a problem – and the first time I have, you are stonewalling me?”
“I can’t sell this anymore, you opened the box. You can’t return it.”
“Really?”
“I can’t sell this anymore, you opened the box. You can’t return it.”

At this point I gave up and exchanged a few more e-mails with Insta360 (“You should try to return the X4 where you bought it!” No kidding…), but their responses quickly became as useless and repetitive as the one of the guy at Yodobashi Camera – who is just a small cog in a big machine, so I don’t blame him; he’s punished enough with the lighting in the store and the uniform he has to wear all day.
So here we are, after me falling for the usual misconception about (customer) service in Japan, because I rarely ever had a real problem anywhere. It’s great as long as everything is within procedures – if somebody has planned for it, it most likely will go smoothly. Service is great. When service becomes customer service though, i.e. an individual customer needs help that requires improvisation outside of the planned service… you’re basically on your own. The only thing flexible in Japan is bamboo.

Nevertheless I still have moments when I wonder: AITAH?
I’m a huge believer in personal responsibility. If I make a mistake, I stand by it. I find behavior like ordering 20 items of clothes in different sizes and colors with the intention of sending 18 of them back despicable. In fact I’ve never sent anything back that I’ve ordered online, except for two USB-HDDs – and only because they didn’t work. I don’t do fast fashion, I don’t buy garbage from questionable sites like Shein oder Temu, I don’t replace electronics unless they are broken. (RIP, Nikon D7100!) I did due diligence before buying the Insta360 X4 and to this day everything in that (opened…) box is in mint condition. If I would have known about the smartphone requirement, I wouldn’t have bought the X4. It’s the reason why I didn’t buy the X2.
This is actually only the second time that I tell this story to anybody, because part of me is a bit ashamed that this series of unfortunate events happened – despite all the research before buying. But spending more than 80k on a useless brick of tech isn’t exactly something to be proud of. I don’t regret much in my life, but buying the Insta360 X4 I regret. And buying it at Yodobashi Camera is something I regret, too. Maybe Amazon would have been more accommodating with returns…
But I guess it is what it is – only money in the end. And no videos for Abandoned Kansai in the future. Heck, even if I would get the currently useless X4 to work, I would always be reminded of this story. Screw video cameras! Never was a fan, now I dislike them almost as much as smartphones. Which kind of closes the circle. But I’ll make sure to never ever even consider buying anything from Insta360 again – I still don’t understand how it’s even legal that they can do this. What’s next to unlock their cameras? Having to send them a voice message, swearing loyalty to Winnie the Xi(thead)? Apparently they can do anything without people questioning it…
I went back to Yodobashi Camera once more though, two days ago. I spent the remaining shop points I had on presents for my nephews without having to pay a single sen – my goal was it to hit +/- 20 points/Yen, but going to exactly 0 was priceless – and so I left the Yodobashi Camera building one last time with a big smile on my face. Upon arriving back home I cut up my loyalty card after almost 18 years. It probably doesn’t mean much to a large store chain like that. But it meant a lot to me!

Thank you for reading till the end and… What has your worst experience with Japanese (customer) service been? Write it in the comments!

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Doing urban exploration in the Democratic Republic of Korea is almost impossible – both in the sense of exploring urban spaces as well as documenting deserted places. When in North Korea your hosts keep you busy, and with about 2.5 to 3 tourists per guide there is always somebody having an eye on. Thanks to hard work and a little bit of luck I was able to do both though… kind of.

If you haven’t yet read my reports about *the May 1st charity run* and *my visit to the Taesongsan Park & Fun Fair, where I had an unsupervised picnic with locals*, I strongly recommend doing so. They are fun stories with some really unique photos – and they kind of cover the exploring urban spaces meaning of urbex.

The more common meaning of exploring and documenting abandoned places is what this article is about. In a poor country pretty much abandoned by the world you have plenty of potentially abandoned places and especially vehicles, like boats and trains. But like everywhere in the world it’s a grey area, and like I’ve said, opportunities are rare… and risky. But more than anything else your mind is busy with not getting yourself and the group into trouble, so the stories and photos of this little piece are a lucky byproduct of my two trips and not the result of strategic planning.

The first location I’ll be talking about is a construction ruin (38.997410, 125.750262) right between two of the most famous places for non-Korean tourist, the *Yanggakdo Hotel* and the Pyongyang International Cinema Hall, home of the Pyongyang International Film Festival. At the time of my visit back in 2013 the place was actually still under construction, at least the heavy machine implied that, so I didn’t pay much attention to what looked like just another hotel – as a result it appears only on two of my photos by chance. You don’t want to get caught by yourself on an active construction site in Japan, let alone in North Korea…
The next couple of photos are of the Seungri Chemical Complex Refinery (승리화학연합기업소; 42.313073, 130.351401), an oil refinery, as you probably guessed correctly when reading the name. I don’t know much about the facility and I had to take the pictures while on a bumpy bus ride, but there are two things worth mentioning: First of all, nothing in North Korea is really abandoned, especially not a large industrial complex like that! (*And let’s not forget about the Komusan Concrete Factory*, built in 1936 during the Japanese occupation and still the biggest concrete factory in the country!) At best things look abandoned, at worst they are really not used anymore. Like the Seungri Refinery, which was definitely closed in 2013 and apparently didn’t open again, despite the fact that back then they had so much hope for the special economic zone Rason… So as soon as the regime vanishes or allows free travel in North Korea, this should be one of the first locations to visit for urban explorers, because even from a distance it looked spectacular in a post-apocalyptic way.
Which brings us to the third and last location, the smallest one, but one with a few close-ups thanks to some of my co-travelers. At our last evening of the trip we were taken to the Emperor Hotel, the DPRK’s only five star hotel with a huge casino. I was bored quickly and headed outside with permission from Mr. Kim, one of the guardguides, but soon was tracked down by Mr. Pak a.k.a. Robocop. *A few minutes later the rest of the group showed up and we headed down to the beach to enjoy the nice sunset – when all of a sudden and without talking to anybody two or three of my fellow travelers bolted down the beach along Changjin Bay towards Pipha Island.* Much to the confusion of all the guideguards, as you can imagine! Two decided to chase after them, one stayed behind – fortunately distracted by the events and the rest of the group, so I snuck away a few dozen meters to take some quick photos of the more or less truly abandoned hotel playground (42.300880, 130.390566), now outside the hotel fence. By no means spectacular photos, but probably the closest to real urban exploration anybody has ever done in North Korea…
*If you like to find out more about my two trips to North Korea please click here!*

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Exactly three years ago I left *North Korea* for a second time – a good opportunity to share some information you probably didn’t know about Abandoned Kansai…

I don’t think I ever mentioned it on the blog, but on *Facebook* I earned quite a few interesting reactions when I revealed that Abandoned Kansai had some visitors from North Korea in 2013 – not many, for a total of 12 views, but still! In 2014 that number when up to 14… and in 2015 Abandoned Kansai was popular as never before in the DPRK: 24 views! This total of 50 views is not a lot, but still more than from 74 other countries and territories all over the world, including Bermuda, Liechtenstein, Monaco and Samoa. (In case you wonder: About 50% of my traffic is from the United States – only one view each since 2012-02-25 from the British Indian Ocean Territory, Comoros, Gambia, Kiribati, Lesotho, Netherland Antilles, Sao Tome & Principe, Sint Maarten, Solomon Islands, South Sudan and Turkmenistan.)
(Please *click here to get to Abandoned Kansai’s North Korea Special* and *here for a map about the tour at GoogleMaps**Like Abandoned Kansai on Facebook* if you don’t want to miss the latest articles and exclusive content – and subscribe to the *video channel on Youtube* to receive a message right after a new video is online…)

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Sex museums in Japan are dying out. Once there were dozens of them all over Japan, now there are only two remaining: The Atami Sex Museum and the Kinugawa Sex Museum in Nikko; the latter one will close its doors for the last time in a week, December 31st 2014 at 5 p.m. JST, so let’s send it off with a farewell article!

In spring I went on a *road trip to Tohoku* with my buddies *Mike* and *Ben* – and on the way back we passed through Kinugawa Onsen, a small spa town in the mountains of Nikko, famous for the UNESCO World Heritage Toshogu Shrine, dedicated to Tokugawa Ieyasu, the historical model for James Clavell’s Lord Toranaga in his most famous novel, Shogun. Rather rundown, like so many onsen resorts these days, the town of the Angry Demon River offered a very special attraction, one of two remaining sex museums open for business in all of Japan. We were short on time, nevertheless we managed to squeeze in a one hour stop at this special location.
Opened in 1981, the museum focused on the depiction of the sexual culture in the Edo period a.k.a. Tokugawa period (1603-1868). Artful carvings, colorful paintings, beautiful shrines and several sex acts re-staged with dolls, for example the rape of noble women in a forest or a woman peeping on a couple having sex in an onsen. The last part of the museum was a bit more modern and included a blue movie theater with a tinge of green, a Marilyn Monroe doll on a red couch, several mannequins, a sex shop and a handful of those Ufo Catcher crane machines you might know from regular arcades – but instead of plush dolls you could win toys to make your girlfriend blush.
Usually it is not allowed to take photos or even videos in those sex museums, but I guess it was a combination of its certain demise and the fact that Michael had been there before for scientific reasons with one of his former professors – so we actually got permission to take Pictures and do a video tour. Given the extremely limited amount of time on our hands I filmed a walkthrough right away without having seen anything in advance, which was quite tricky due to countless mirrors and mirroring exhibition cases as well as the uncertainty of what would be ahead of me – luckily no other visitors, so I finished the virtual tour without any unjoyful incidents. Ten minutes later I was back at the entrance and started taking pictures with up to nerve-wrecking 30 seconds exposure time. After exploring two abandoned sex museums in *Yamaguchi* and *Hokkaido* it was extremely interesting so finally see one open for business and I really wish I would have had more time to enjoy the experience – but sometimes you gotta do what you gotta do… and we had a rental car to return in Shinagawa, about three hours away without traffic jams, which were rather likely at the end of Golden Week.
Access to the museum was strictly forbidden to minors (you had to be 18 year or older!), given mostly the artful yet graphic depictions of genitals and sexual acts. Interestingly enough all movies and photos were censored with the pixilation Japan is famous for, yet most of the dolls were anatomically correct – so I had to censor one of the photos I took myself, just in case. The rest of them are graphic, too, but in an artistic and / or educational way that didn’t cause any problems with WordPress or YouTube when I wrote about the two abandoned sex museums… and I hope it will be the same this time, too (though YouTube already forced an age restriction on the video, requiring you to log into your Youtube account to watch the video). While not pornographic in nature, the following photos are not safe for work – and if you are easily offended by images like that, I recommend skipping the photo gallery this time, even when you read this article in the privacy of your home. I do not intend to offend anybody, but you can’t write an article about a sex museum without showing some of the exhibits… 🙂

Merry XXX-mas, everyone!

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