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I’ve been urbexing for almost 15 years. During that time I’ve never written any articles about equipment, despite being very happy with three different Nikon DSLRs, two Manfrotto tripods, and a Sanyo video camera – which broke in 2019 after almost 15 years of recording countless hours at hundreds of locations as well as places like Chernobyl and North Korea. Videos I always considered a bonus anyway… and I’m still having a hard time thinking of myself as a photographer, given that I have no formal education in that field and only do it as a hobby. A really time-consuming hobby, but nevertheless just a hobby. I also don’t have a background in technology, so what’s the point of reviewing camera equipment when I just have an opinion based on learning by doing? Well, that doesn’t keep countless “influencers” and Youtubers from churning out incompetent nonsense, but I wouldn’t want to be found dead with either label on me! And like my favorite professor at university once said in regards to papers we had to hand in: “Don’t claim anything you can’t proof!”

Fortunately there is no need to be technical or scientific about this Insta360 X4 article, because unfortunately we never got that far…
Like I said, I always considered video walkthroughs of the locations I explore a bonus. I started them pretty much right away, but at first I didn’t even publish them, because I only took them for myself. And even when I published them, I didn’t edit them. No cuts, no voice overs. Just me walking around breathing heavily into the silence. That all came to a sudden halt when my Sanyo stopped working after exploring the abandoned *Trump Hotel*, also wiping out the recordings of the whole day. At that point I was tired of doing the videos anyway – and my co-explorers were increasingly annoyed, because I added 10 to 30 minutes at the end of every exploration for the walkthrough. So I stopped doing them.
For the past 18 months I’ve been exploring solo again (don’t ask, it’s complicated and often quite frustrating, to be honest), but a few weeks ago a colleague of mine showed me an older model Insta360 video camera that a visiting cousin from the States forgot at his place in Japan. I was fascinated by the easy to use 360 photos and videos, so I did some research and decided to get one. I’ve read reviews, I’ve read product pages – I did my best to make an informed decision, because at first I considered buying the X2 or X3 as older models often are cheaper with only slightly fewer / worse features. The X2 was out of the race when I read in a review that it required a smartphone to be activated – something I didn’t read anywhere about the X3 and X4. I guess because it’s an idea that is so stupid that it probably was a one-time mistake by Insta360, facing so much backlash that they removed the requirement from following models. The price difference between the X3 and X4 wasn’t very big and since the latter was only four weeks old at the time, the price on Amazon and in brick and mortar stores was the same, so I decided to get it at my local Yodobashi Camera (street block sized electronics stores with hundreds of employees each, in case you are not familiar with the chain), where I’ve been a customer for almost 18 years – ever since I moved to Japan.
BIG MISTAKE!

Yodobashi Camera was extremely stingy, giving only 1% points on the video camera, despite a promotional campaign of giving 13% points for purchases over amount X – except for (small print)… But when you shell out 80k Yen on a new video camera you are looking forward to use, store points are the last thing you worry about anyway. Fortunately I still had some of those points, which I used to get a seriously overpriced MicroSD card, because without it the video camera would be useless and I wanted to try it out on the weekend before an upcoming urbex trip. 83500 Yen poorer, but with a big smile on my face I left Yodobashi Camera on a Friday evening after an otherwise pretty horrible week.

Saturday was supposed to be a great day, though it started with a rude awakening / realization…
After sleeping in and having a delicious breakfast, I enjoyed a nice unboxing. The first slight disappointment was when I realized that the included battery was dead. Well, not dead dead, but completely empty. Whatever, an hour or two wouldn’t make a difference. It would not dent my great mood for sure. That came a few hours later when the battery was fully charged. I booted the small brick for the first time, its screen came to life, asking me to choose a language – and then the screen showed what the camera was seeing… for about a second or so. Then some text popped up and my heart sank. You gotta be kidding me! What I was looking at was a screen telling me to download an app by Insta360 to a smartphone, iOS or Android, to unlock the video camera. What. The. Heck? I literally felt it in my fingers how my blood-pressure exploded, because unlike pretty much every person on the planet above the age of 6 years I don’t own a smartphone. Never have. In the late 90s I had a black and white Nokia for work (yes, I’m not the youngest anymore, though I started working full-time in my early 20s). When I moved to Japan I had a flip phone or two, but for the past 15 years or so I didn’t have any mobile phone at all, smart or not, because I don’t like them as they turn way too many people into dumb zombies. So here I had a brand-new, quite expensive video camera… that forced me to make it usable by using another device with cameras? Who comes up with stupid ideas like that?!
Certainly not Nikon! Their D7500 DSLR I bought just weeks prior worked with a partly charged battery and regular SD cards straight out of the box 5 minutes after purchase – without any charging or unlocking BS!
So I started to do some research… and didn’t find much. Like I said, I couldn’t care less about smartphones, apps and all that stuff, so I tried to find a solution to unlock the darn X4 via PC or MicroSD card. Of course I couldn’t find anything about that either, so I contacted Insta360 directly – who apparently didn’t read my message and instead sent me a standard reply. So I got back to them, apologized for not describing my problem properly (I’ve been in Japan too long…), and this time got an answer that at least implied that they understood the situation I was in – without being able to help, because though it seems to be nowhere stated on the box, the promo material or even on the X4 website (at least back in mid / late May, maybe they changed it by now)… you really need a smartphone and the Insta360 app to use a newly bought X4 video camera, that seems to work perfectly fine, but is made not usable on purpose by the manufacturer. Which absolutely blows my mind!
How is that even legal?
How can a company force you to use a completely unrelated piece of expensive technology that actually partly does the job of the product you just bought, to make your purchase usable? Without mentioning that essential detail with big warnings before purchase! And in addition, forces you to use an app, which does who knows what in the background without one knowing?
What’s next? You need an electric bike with WiFi to unlock your newly bought car? And if you don’t… sucks to be you, it’s completely useless!

Yodobashi Camera – (The Lack Of) Customer Service In Japan!
After some back and forth it was Monday and I came to the conclusion that I won’t be able to use the Insta360 X4, because it really needs a smartphone to unlock, which wasn’t properly communicated. So after work I went back to Yodobashi Camera, my go-to electronics store for the past almost 18 years. Never had a problem with them, because all the products I bought worked as intended right out of the box. So I went back to the cashier counter where I bought the video camera… and already ran into the first minor bump in the road – apparently I hadn’t paid for it in the camera department, but a neighboring one, which wasn’t a problem on Friday evening, but very well on Monday evening. So I went 20 meters over to the camera department and told them about my unfortunate situation: That I had bought this video camera three days prior, but couldn’t use it, because it doesn’t work without a smartphone, which wasn’t properly communicated by Insta360 or Yodobashi Camera. But I was very careful with everything, I didn’t even remove the protective film from either of the lenses. Some air through the teeth sucking, some going back behind the counter to talk to a superior and then something like the following conversation – it’s in quotation marks, but they are not really quotes, you know… just something like that, from memory:
“I can’t sell this anymore, you opened the box. You can’t return it.”
“But I can’t use the video camera.”
“I can’t sell this anymore, you opened the box. You can’t return it.”
“I don’t have a smartphone. The X4 is useless to me.”
“I can’t sell this anymore, you opened the box. You can’t return it.”
“I did proper research and I only found out about this after I opened the box and tried to use the X4.”
“I can’t sell this anymore, you opened the box. You can’t return it.”
“I bought a D7500 last month, it worked out of the box…”
“I can’t sell this anymore, you opened the box. You can’t return it.”
“Then take it back and ask Insta360 to exchange the X4 – you have dozens of them here, you probably have to return one once in a while anyway.”
“I can’t sell this anymore, you opened the box. You can’t return it.”
“Are you serious? I’ve been a customer here for almost 18 years, spent millions at your store and other ones in the building that has your name. Never had a problem – and the first time I have, you are stonewalling me?”
“I can’t sell this anymore, you opened the box. You can’t return it.”
“Really?”
“I can’t sell this anymore, you opened the box. You can’t return it.”

At this point I gave up and exchanged a few more e-mails with Insta360 (“You should try to return the X4 where you bought it!” No kidding…), but their responses quickly became as useless and repetitive as the one of the guy at Yodobashi Camera – who is just a small cog in a big machine, so I don’t blame him; he’s punished enough with the lighting in the store and the uniform he has to wear all day.
So here we are, after me falling for the usual misconception about (customer) service in Japan, because I rarely ever had a real problem anywhere. It’s great as long as everything is within procedures – if somebody has planned for it, it most likely will go smoothly. Service is great. When service becomes customer service though, i.e. an individual customer needs help that requires improvisation outside of the planned service… you’re basically on your own. The only thing flexible in Japan is bamboo.

Nevertheless I still have moments when I wonder: AITAH?
I’m a huge believer in personal responsibility. If I make a mistake, I stand by it. I find behavior like ordering 20 items of clothes in different sizes and colors with the intention of sending 18 of them back despicable. In fact I’ve never sent anything back that I’ve ordered online, except for two USB-HDDs – and only because they didn’t work. I don’t do fast fashion, I don’t buy garbage from questionable sites like Shein oder Temu, I don’t replace electronics unless they are broken. (RIP, Nikon D7100!) I did due diligence before buying the Insta360 X4 and to this day everything in that (opened…) box is in mint condition. If I would have known about the smartphone requirement, I wouldn’t have bought the X4. It’s the reason why I didn’t buy the X2.
This is actually only the second time that I tell this story to anybody, because part of me is a bit ashamed that this series of unfortunate events happened – despite all the research before buying. But spending more than 80k on a useless brick of tech isn’t exactly something to be proud of. I don’t regret much in my life, but buying the Insta360 X4 I regret. And buying it at Yodobashi Camera is something I regret, too. Maybe Amazon would have been more accommodating with returns…
But I guess it is what it is – only money in the end. And no videos for Abandoned Kansai in the future. Heck, even if I would get the currently useless X4 to work, I would always be reminded of this story. Screw video cameras! Never was a fan, now I dislike them almost as much as smartphones. Which kind of closes the circle. But I’ll make sure to never ever even consider buying anything from Insta360 again – I still don’t understand how it’s even legal that they can do this. What’s next to unlock their cameras? Having to send them a voice message, swearing loyalty to Winnie the Xi(thead)? Apparently they can do anything without people questioning it…
I went back to Yodobashi Camera once more though, two days ago. I spent the remaining shop points I had on presents for my nephews without having to pay a single sen – my goal was it to hit +/- 20 points/Yen, but going to exactly 0 was priceless – and so I left the Yodobashi Camera building one last time with a big smile on my face. Upon arriving back home I cut up my loyalty card after almost 18 years. It probably doesn’t mean much to a large store chain like that. But it meant a lot to me!

Thank you for reading till the end and… What has your worst experience with Japanese (customer) service been? Write it in the comments!

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Hidden behind tall walls and covered by a thick layer of snow, this abandoned wooden countryside clinic revealed its treasures only slowly…

You can barely throw a stone in the Japanese countryside without hitting an abandoned house. They are everywhere – and most of them are boring and in horrible condition.  At first sight the Showa Era Countryside Clinic was not much different (the Showa era area the years between 1926 and1989). It looked like a decently sized two building property in… well… average at best condition. A thick layer of snow implied that we were the first visitors in weeks, maybe even years. At first sight or on GoogleMaps there was absolutely nothing special about those premises. Arriving at the clinic, we weren’t even sure if there was anything left. According to a friend’s research one of the buildings had been used as a doctor’s office in the past – but that doesn’t mean anything, especially nowadays, when buildings are refurbished or demolished in no time. My two friends I was exploring with that day checked out the structure in front of us, I went to the right, found a door and opened it; looked like a normal room, I guess I picked the mansion part. Shortly thereafter one of my friends passed by me and actually went inside – jackpot! It turned out that my building actually was the clinic and that the door I opened was just to a regular room in the clinic building. So I went inside, too, and took some photos as well as a video, converted to black and white monochrome for this article. Before I switched buildings with the third friend I went through a small opening in a broken door and up a wooden ladder to the attic of the clinic after I was assured it was worth the hassle – as it turned out the floor there was little more than wooden boards, slightly brittle after decades of neglect. After taking photos of the abandoned experiment, which looked like straight out of a 1930s Frankenstein movie, at one end of the attic I made my way back to the ladder and felt how the floor caved in with a cracking noise, so I quickly took off the pressure of my foot before I crashed through. I consider it a small miracle that I was able to get down again before I damaged the building (any further) or hurt myself – wooden attics really aren’t my kind of environment… Speaking of damages: The living space in the main building wasn’t exactly confidence-inspiring, so I stayed at the entrance / kitchen area and took a few photos there. It wasn’t until I got home and had a closer look at the photos that I realized how much the walls were really bending! Japan – a polite country through and through… (The building is actually a death trap and can collapse at any time; it probably will within the next couple of years, depending on the amount of snow that will pile up on top of the roof.)

Exploring the Showa Era Countryside Clinic was an amazing experience. Not only because it was yet another time capsule in overall good condition, but because one of the friends I was with found it due to own research and they trusted us enough to take us with them to check it out – so I can almost guarantee you that some of the photos you see here were the first ones ever taken at that place. And there were things I had never seen before, like the strange apparatus in the attic or the large wood and marble contraption that looked like it was used for treatments involving electricity, which was developed about 200 years ago and was quite popular at the beginning of the 20th century. Those are the kinds of objects you’ll probably won’t even find in museums. Seeing them just standing around there is… well worth all the effort to explore at this level.
The pictures of the first abandoned old clinic I explored, the now vandalized *Tokushima Countryside Clinic*, I published originally in converted monochrome photos and a while later in color. Since this clinic reminded me very much of that exploration almost eight years ago (just with much better friends…), I will publish this set both ways in one gallery – first black and white monochrome, then color (otherwise unedited though, as always). Feel free to let me know which you like better!

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The abandoned Okayama Hospital is a place of many names. Okayama Countryside Clinic (like the *Tokushima Countryside Clinic*) would have been an appropriate name, too, but Japanese blogs usually call it the Setouchi Clinic – which I think is a rather risky name as, in my humble opinion, it gives away too much about its location…

I was trying really hard to write an entertaining text about the Okayama Hospital Haikyo, but sadly there is little to nothing known about the clinic – and the current humid heat here in Osaka (up to 37°C and up to 84% humidity) didn’t exactly help either. Judging by the mansion-like looks of the estate it must have been built during the Meiji or Taisho era – a traditional Japanese style complex with massive boundary walls. I don’t know when the clinic was abandoned, but I guess it was about 20 years ago. Overall it was in good condition, but nature was claiming back the living room and I saw a decently sized hole in the floor of the reception – probably a previous explorer crashing through the wooden planks.
The owner definitely moved out, but left behind quite a bit of both medical as well as everyday life items. Since I visited the clinic, well hidden by a completely overgrown garden, on a rainy summer day, it was quite uncomfortable to explore – not nearly as bad as the mosquito ridden hellhole known as *Doctor’s Shack*, but still bad enough. It obviously also affected the lighting in the clinic, so I decided to publish this set in monochrome. For some reason monochrome works well with abandoned countryside clinics. (If you watch the video and think “But the sun is shining outside!” – yeah, for about ten minutes while I was there… and then for the rest of the day right after I left the clinic!)
Since the weather is killing me and there is not much to say about the clinic anyway, I will keep it short this week – overall it was a good location with some neat little details (I love the clock, the two phones and the katakana eye test!), but the *Tokushima Countryside Clinic* is still unrivaled when it comes to abandoned village doctor houses…

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The Sudden Stop Syndrome is a widespread phenomenon in Japan. When you least expect it, people just stop walking without any warning signs. Half a meter in front of an open train door (even after lining up for minutes!), 5 cm inside of a train (basically in the middle of the door), at the end of elevators, moving walkways and steps, or right in front of you just as you walk down a street. No slowing down, no looking over the shoulder – just a sudden stop as if they were the last person on the planet. So far no deadly incidents have occurred, but there is always the risk of bumping into somebody… The worst part about it: There is no treatment and it can happen to everybody at any time. I don’t know how widespread the Sudden Stop Syndrome is in your country, but in Japan you most likely will observe it at one point or the other. (And by that I mean “at least weekly”.)
I wonder if the Sudden Stop Syndrome was known to the doctor(s) running the Tokushima Countryside Clinic (TCC) from as early as the 1930s on. Probably not. I imagine back then the times were less rushed – and the slower you walk, the less sudden a stop is.

The Tokushima Countryside Clinic is without the shadow of a doubt one of the best abandoned hospitals in Japan, probably in the world – although “hospital” and “clinic” are words that are used rather loosely in Japan.
When I hear the terms in English (or my native tongue German) I imagine rather big health care facilities with several doctors and departments; buildings for dozens or even hundreds of patients and inpatients. In Japan basically every family practice is called a clinic – but even some hospitals can host only a handful of inpatients and close on the weekends. Clinics are usually named after the doctor who owns and runs it, or by the town they are in.
The spookiest hospital I’ve ever been to is the *Hospital #126 in Pripyat*, abandoned in the aftermath of the *Chernobyl Disaster* – a big hospital with several floors and never-ending hallways, with paint flaking off the walls and wind making scary noises; just right out of a horror movie, though reality probably was scarier.
The Tokushima Countryside Clinic on the other hand offered quite a different experience. Located in a small town in the countryside of Tokushima prefecture it once were the rather big premises of the local doctor; half private house, half clinic. Even without the medical equipment it would have been a gorgeous example of an early modern Japanese estate, built about 100 years ago – most likely earlier.
Hidden in the backstreet of a side street in a tiny town the Tokushima Countryside Clinic really is off the beaten tracks and for years it was one of the most secret abandoned places in Japan. Although deserted more than 30 years prior to both of my visits (November 2010 and April 2011) the clinic was in amazing condition – you can find out a little bit more about the clinic’s history *in the article about my first visit*.

Being at the TCC you actually breathe history. The amount of books, chemicals and equipment left behind is amazing!
On one photo you can see containers of Risoban plaster. “Medical use, “Ideal adhesive plaser”, “Trade mark” – probably high-end when bought, but completely unknown to the internet today.
Oude Meesters on the other hand is still in business. The South African company with the Dutch name is famous for its brandies and actually still uses the same logo you can find on a bottle of Villa Rosa in one uf the photos – putting it dangerously close to containers filled with chemicals probably wasn’t a good idea though.
A box of “Koyamas Safe Pessaries” has written Osaka Juzen Hospital on the side – don’t get your hopes up, that’s not the real name of the Tokushima Countryside Clinic, it’s the hospital Dr. Sakae Koyama was the president of when he developed his birth control method: Koyama designed the conical shaped soft rubber diaphragm, patented as “Koyama Suction Pessary”, first and foremost out of personal motivation as him and his wife were parents to 12 children. The doc made history when he tried to market his invention in the States and the pessaries were seized by the customs as birth control was illegal in the United States in the early 1930s – that lead to a couple of lawsuits legalizing the trade of contraceptives in December 1936.
And the list goes on… and on… and on. Somebody should actually get all the stuff inside of the Tokushima Countryside Clinic and rebuild it as a room in a museum. I think you could spend weeks or months researching all the items in this wonderful family practice, spanning about 50 years in six different decades, maybe seven.

During this two hour long second visit I didn’t even enter the living quarters of this stunningly beautiful mansion – so you have to *look at the previous article* for photos of that part. And like in the article about my original visit I will publish the photo set in monochrome as it adds so much to the atmosphere in this case. I didn’t think much about the TCC recently, but when I went back to the photo set and my notes to write this article I got all excited about it again – some of the pictures actually gave me goosebumps and I hope you’ll enjoy them as much as I do.

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One of my favorite things about urban exploration is travelling. Most of the time I do day trips within Kansai, but every couple of months I go on mini vacations to other regions. *Okinawa*, *Kyushu*, *Hokkaido*, *Shikoku* … and a couple of more that will be revealed in the future.
I lived in Japan for several years before I started to visit abandoned places – and in those first years I barely travelled within Japan. Kansai has plenty of castles, temples and shrines, some of the most famous in all of Japan. More than enough to get templed out, shrined out and castled out, so I didn’t feel the urge to spend hundreds of bucks on train tickets – and then a similar amount on hotels. Only to see more castles, temples and shrines that look similar to what I can see down the street. Abandoned places on the other hand are unique – and some of them are actually worth spending a couple of hundred bucks, at least to me.
The spring of 2011 saw my second overnight trip to Shikoku. *During the first one* my favorite location on Japan’s least populated main island was the spectacular *Tokushima Countryside Clinic*, a small town doctor’s house, barely harmed by vandals and the ravages of time. My friend Gianluigi, an avid photographer for almost two decades, loved the photos I took at the clinic, so I convinced him to go on a road trip – I would show him that wonderfully spooky gem if we would stop on other abandoned places along the way…
If you are a regular reader of Abandoned Kansai you might remember two articles I wrote about really unique haikyo about half a year ago – the abandoned Japanese spa *Shimizu Onsen Center* and the giant Buddha statue / viewing platform *World Peace Giant Kannon*; both of them were actually part of this second trip to Shikoku.
So here is a complete list of all the locations:
Amano Hospital
Daiwa Pottery
Kuroshio Lodge
Shimizu Onsen Center
Tokushima Countryside Clinic Revisited
World Peace Giant Kannon

One of these places has been demolished since I visited it two years ago – you’ll find out soon which one… and then I’ll add it to my *GoogleMap of Demolished Haikyo*.

(If you don’t want to miss the latest article you can *follow Abandoned Kansai on Twitter* and *like this blog on Facebook* – and of course there is the *video channel on Youtube*…)

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The Papierfabrik Knoeckel, Schmidt & Cie. (Papierfabrik = paper mill) was without the shadow of a doubt the urbex highlight of my vacation to Germany in 2011. Ever since I moved to Japan in 2006 I spend a couple of weeks in summer back home in Germany, visiting family and friends. As much as I love Japan – I really hate the summers there. It’s hot, it’s humid and it’s dark at 8 p.m. the latest. German summers are less hot, way less humid and you can have a BBQ outside till 10 p.m. or even later. There’s actually stuff you can do after work, not just crawling under the next air-condition – which most likely is set to a smoldering 28° Celsius anyway since Japan pretends to save energy ever since Fukushima happened. (Ironically the ACs are set to 28°C in winter, too – heating is no problem, but if you wanna have some cool air you are considered the devil…) I started with urban exploration in late 2009 and when I came back to Germany in 2010 I visited *Pripyat and Chernobyl* as well as two locations in Luxembourg I yet have to write about. No urbex in Germany in 2010 for me. 2011 on the other hand saw me visiting places like the *Clubhotel Messel* and the *Cambrai-Fritsch Kaserne* – and the latter one almost prevented me from actually entering the Papierfabrik Knoeckel as I ran into some security trouble at the CFK the day before I visited the paper mill with my old friend *Gil*.

Located on both sides of a valley in the Palatinate region of Germany the Papierfabrik Knoeckel is virtually impossible to miss – if you found the right valley you are golden. The downside of that fact is the traffic ahead and behind you. Getting a parking spot is not the problem – entering the factory without being seen is. Like I said, I ran into some trouble the day before (on a former military basis, to make things worse), so I wasn’t exactly eager to jump a fence and run while being watched by potentially dozens of people. The backside of the factory seemed to be a bit quieter, so we walked along a forest road up a slope… only to run into a house where a dog started to bark and didn’t stop for at least an hour! We followed another road leading down to the factory, the damn dog still barking. Now we were separated from the factory by a small river (maybe three meters wide), once a fundamental element of every paper mill as water ran machines. Two bridges and a building span across that river, but our options were limited soon – one bridge was fenced off and the other was equipped with a modern security camera. Caught the day before, dog barking in the background, an active security system. My urge to enter the factory went down to zero and in the end it became another key moment regarding my dislike of infiltration. Not nearly as bad as the experiences at the *Noga Hotel* or the *Sunset View Inn Shah Bay Resort*, but another stepstone…
To make a long story short: We entered somehow, it was an amazing location, and it took us four hours to leave. Four overly cautious, nerve-wrecking hours that weren’t really fun at all – in hindsight it’s always easy to say that it was totally worth it since nothing went wrong, but the potential for disaster was there…
In the end I took some really neat photos at the Papierfabrik Knoeckel. Photos that work very well in both monochrome and color – which makes it one of my favorite locations in Germany, at least now that I am sitting in front of my PC. The reasons why the photos turned out that way, is because the Papierfabrik has a lot of history and grew organically. Old buildings weren’t demolished, they were reused and new buildings were constructed in addition. Some buildings still had large ciphers fitted to their walls – 1914 and 1952 I remember vividly. But the paper mill was older. Much older. 1888 saw the founding of the Knoeckel, Schmidt & Cie. GmbH (GmbH = Gesellschaft mit beschränkter Haftung, which equals a modern Limited = company with limited liability) which turned into the Knoeckel, Schmidt & Cie. Papierfabriken AG on January 29th of 1923. (Papierfabriken means paper factories, AG = Aktiengesellschaft = joint-stock company) In 1945/46 production was partially stopped due to a shortage of raw materials and coal – the company survived World War 2 without any damages. Which is even more surprising since the factory had its own railway siding. The reason for that is the fact that paper is incredibly heavy and larger amounts are easier and more cheaply transported by trains. At one point the rival Robert Cordier AG (which produces paper since 1836!) bought 99.78 percent of the Knoeckel, Schmidt & Cie. shares (which was turned back into a GmbH in 1995 after a loss of 1.4 million Deutschmarks (0.7 million Euros) within half a year), but on August 18th of 2000 the Robert Cordier AG filed for bankruptcy. Knoeckel, producing glassine, translucent vellum paper and special papers for technical applications, wasn’t making money anymore after 112 years…
On May 30th of 2006 a conflagration that took 9 hours to extinguish destroyed several disused production sheds, making the abandoned buildings even more dangerous due to a higher risk of collapse.
Today the Papierfabrik Knoeckel shares the fate of many abandoned buildings – potential private investors, local politicians and citizens’ groups are arguing what to do with the 55.000 square meter area, but can’t agree on anything. And so the paper mill continues to decay, attracting more and more urban explorers, graffiti sprayers and vandals…

This is the *second time* I decided to publish a photo set in monochrome. I actually converted all photos and selected two sets – one in color, one in monochrome. There were hardly any overlaps, so I might publish a color set in the future, maybe along with an update on the state of the paper mill. I even converted the videos to monochrome, just for the sake of atmosphere. Exploring this location I felt like being transferred back in time to the 40s, 50s or 60s; decades most of us associate with monochrome photography. I hope you welcome this decision…

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