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Snow in November isn‘t really common in Japan, especially in southern Tohoku. But sometimes you gotta roll with the punches…

A few years ago I was on an autumn road trip to Tohoku, when I finally saw an opportunity to check out an abandoned country club that I had my eyes on for more than half a decade. Unfortunately it was so remote that I couldn’t explore it by myself due to the lack of transport, so I was really excited when I had the chance to go there. Several club houses, a hotel, a really big golf course, several other buildings – even a ski slope or two, as I found out afterwards. That thing was gigantic, potentially a whole day exploration! We stayed in a hotel about 20 kilometers away, maybe half an hour on countryside roads. It was overcast, maybe 15°C – typical autumn weather. When we left the plain to get into the mountains it suddenly become significantly colder, but who cares? That’s why we wore jackets. We took a final turn up a narrow road to the resort when all of a sudden the weather changed drastically – heavy snowfall, thick flakes. We went from zero snow on the ground to several centimeters in maybe half a minute. Nevertheless we pushed forwards, because you gotta seize opportunities when you have the chance! Unfortunately the resort was really big with lots of roads going all over the place, so we quickly lost track of where we wanted to go. You can look at maps all you want, when you go / drive up to an abandoned place, it usually looks different – it’s like Mike Tyson once said: Everyone has a plan ’till they get punched in the mouth. And the snow hit us hard. As it turned out we made it to the northwestern end of the premises with a large hotel, where half a dozen cars with license plates were parked. I got out of the car while my co-explorer turned around and slowly drove towards the entrance/exit as we both were worried that we might get stuck in the blizzard, given that the roads weren’t in great shape and we didn’t have winter tyres or 4WD. The hotel was properly locked up and the whole area wasn’t really explorable given the weather conditions, so I snapped a few quick shots before we got the hell out of Dodge and went on to greener pastures…

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In spring I visited the *Ashizuri Underwater Aquarium* on Shikoku and it blew my mind. One of the greatest day trips ever. When all of a sudden something occurred to me that I never thought of before: What if… there are similar structures in Japan? I did some research… and here we go: The Katsuura Marine Park Underwater Observation Tower in Chiba prefecture, a fun day trip from Tokyo!

The Katsuura Marine Park Underwater Observation Tower is located in walking distance of Ubara Station, about two hours by train (or car…) from Tokyo Station – an area popular with surfers even in November, but not exactly a destination for tourists from overseas… or any other tourists. I have been in the area before about a decade ago to check out some abandoned places, but of course at the time I didn’t know about B-Spots like this hidden gem.
Arriving at Ubara Station on an unexpectedly sunny Saturday morning in autumn I was surprised that I was the only person to get off the train. Not the only non-Asian person, that happens a lot at places I go to – the only person in total! The Japanese countryside is dying, that’s no secret, but come on! The only person on their way to a lovely seaside town with a beach, cliffs, a museum and an underwater aquarium? And then people wonder why train lines and bus stops get abandoned constantly, accelerating the death of rural areas. And that’s something you can’t blame on overseas tourists alone – they follow the beaten Instagram path promoted by the JNTO. Japanese people need to go out there! It’s bad enough that they stop living in smaller towns… at least support them and the declining public transport system by heading out there instead of hiding from fresh air and human interactions in anonymous housing blocks, surrounded by millions of people, yet not speaking a single word all weekend!
Where was I? Oh, yeah, the lovely Japanese countryside, Chiba coastline, to be more specific. The Katsuura Marine Park was created in June of 1974 and consists of the underwater observation tower, a restaurant, a museum and several other facilities as well as some of the surrounding nature. The tower was opened on November 1st 1980, almost a decade after the one in Kochi. Its total height is 24.4 meters – the above sea level entrance and viewing platform is about 8 meters above water, the underwater main area with 24 windows is about 8 meters below sea level. Which leaves… 8 meters for the structure on the platform? Seems a bit much, maybe the numbers don’t really add up. Details, I guess. Fact is: The entrance fee is 980 Yen, slightly more expensive than the Kochi one – and the bridge to the tower is a bit more scary as it is longer and maybe a bit more rusty. A small viewing platform on the way is even roped off currently as the railings have rusted away! Visually I found the Kochi tower quite a bit more appealing, though an accidentally underexposed shot made the Chiba one look like from a post-apocalyptic world – it would perfectly fit the Apple TV+ show Silo. The concept of both towers is the same though: You have to walk down a staircase to the bottom of the sea to observe a variety of fish in their natural habitat, the Katsuura one though features small cushioned rest areas on the way up and on the way down. No photos of the underwater platform as the underwater aquarium was surprisingly crowded, despite my rant earlier. I guess Tokyo people have more cars than I thought. And more kids. Tons of kids, actually. Or maybe they were all Chiba countryside locals who desperately need a car, because like I said: public transport in Japan is dying, despite what the “L@@K AT THE HOKURIKU-SHINKANSEN!!!” propaganda is trying to sell.
To make up for it, I added a photo of an abandoned boat I found on the way to the marine park… and a few more of what looked like the hideout of a 1980s action movie villain. The concrete structure is just off the coast in the ocean, connected by a bridge similar to the one leading to the tower. It’s not marked as anything on the map, but it might have been used as a facility / headquarter during the construction of the underwater aquarium. In any case, it looked really cool, but to my surprise wasn’t abandoned. On the third photo you can see a white car – and when I was heading back to land, I saw some guys handling oxygen tanks, so maybe it’s a diving center now?
Anyway, I hope you enjoyed this… and if you did, please check out the *Ashizuri Underwater Aquarium* again for comparison.

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A new video in a long time, just weeks after I said to expect no more. But this one is different…

For most of its existence, Abandoned Kansai featured a video or two with every article, in addition to text and photos. They were pretty much always taken at the end, after I’ve explored the respective location and knew it reasonably well – which was kind of necessary since I didn’t edit them at all. As I mentioned before, I initially took them only for my own reference… and to make use of a Sanyo Xacti I originally intended to be my main camera in Japan, but then I picked up urbex as a hobby and the photo quality was kind of sub-par for that hobby, but the videos were pretty good (for the time), so I switched to Nikon for photos and kept the Xacti for videos. Fast forward something like 10 years and the Sanyo died – at first I was upset since I also lost a days’ worth of walkthroughs, including the amazing *Trump Hotel*, but then I was kinda glad that I had an excuse to not take videos anymore.
Fast forward six or seven years. I had forgotten what a pain in the behind those videos were for me and my co-explorers, so I made the stupid mistake of buying a Insta360 X4 at Yodobashi Camera for an upcoming trip to Hokkaido after being instantly fascinated by the camera’s ability to easily take 360° photos and videos – something I quickly regretted. *Please click here if you missed that story…* Long story short: The experience with Insta360 and Yodosucky Camera was so off-putting that I probably lost interest in video for good.

A few days later I was exploring an original find in the outskirts of a rather remote town in Hokkaido, when I heard some ungodly noise in the distance – as if animals were screaming and somebody was yelling. It really kinda freaked me out, but of course I finishing taking photos. If I would have quit because I was afraid a little bit, I wouldn’t have made it past my first explorations back in 2009. Afterwards I continued up a hill, further away from the town, and entered another abandoned building – and again I heard those bloodcurdling screams, this time a bit closer. I once more finished my exploration, trying to stay calm and then… I walked further up the hill, towards the noise. As you do when you are by yourself on a rainy day exploring what are supposed to be abandoned buildings in the outskirts of a rundown town in Hokkaido. What could possibly go wrong?
Well, I walked around a corner of a road, when all of a sudden I saw some fur on a metal construction – and seconds later the screams again! My first thought was: a dog on some torture device! Then some kind of head was turning towards me… and I realized that it was a wolf Halloween mask with flickering eyes. Like something from a haunted house. Now, you have to know that I don’t like Halloween or horror… or violence in general; except for Dead Rising – Frank West covered wars, you know! So this thing freaked me out for the third time, but this time really for real! What the heck was this contraption?!
Well, the sound obviously was pre-recorded and came from a speaker, so at least I wouldn’t have to deal with some animal torturing hillbilly. When the most messed up animatronics I have ever seen finally stopped after 20 or 30 seconds I carefully had a closer look. Upon inspection the setup apparently consisted of a solar panel connected to a battery, connected to the screaming furry fella, with a control unit and two speakers underneath. I was intrigued, but nothing happened for a while…
I quickly set up my photo camera, which I hardly ever use for recording videos, but this was too strange to not record. Initially I came from behind and didn’t know what to expect, but for the pictures and videos I decided to use an angle that shows a bit more. Nothing happened for another 15 minutes. I got closer from the road at the left side, trying to trigger the device. Still nothing. Then a friggin fox walked by on the main road, right in front of it! Still nothing. My camera was mounted on a tripod, set to video – and everything happened super fast, so I only got blurry photos of the second furry fella. Fortunately the fox couldn’t care less about me and I was spared an attack as well as a rabies shot. At this point I was running out of time, and when you have to catch one of four buses per day, you make sure to meet their schedule! So I walked a bit down the “main” road, in front of the damn contraption – and finally it triggered! Repeatedly. With different sound samples. So I adjusted the camera in a way that I could trigger the thing without being seen and… well, enjoy! It might not be that scary on video, but in reality it got me pretty good. Both from a distance as well as approaching it for the first time from behind.
I still don’t know what the Horror Wolf was for though. It was located at a T crossing halfway up a hill amidst abandoned / rundown companies in the outskirts of a rather remote town. The next residential buildings were about half a kilometer away, the town center with the bus stops rather 2 kilometers. The purpose most likely was to scare away bears, but I don’t know for sure.

And now please enjoy the first videos I have published in years… and probably the last ones ever. That stuff in a 360° video would have been so cool, but *the unholy alliance of Insta360 and Yodobashi Camera* had to mess up… 😦

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Japan has plenty of bizarre and quirky roadside attractions, but the Maboroshi Hakurankai, about 3 hours south of Tokyo, trumps them all.

The Izu Peninsula is famous for many things. Shimoda and the Black Ships. Kawazu and the first cherry blossoms of the year. The gorgeous train ride along the coast. Wasabi. Onsen. Seafood. Spectacular views of Mount Fuji. The Izu Peninsula has it all! And more…
One of the most underrated tourist attraction in all of Japan, at least among foreign visitors, is the Maboroshi Hakurankai, literally the “phantom exhibition” – an eclectic collection of real(ly) old items and bizarre art at the former site of a botanical garden called Izu Green Park along Route 135. The latter was sold in February 2011 to new owner Sailor-chan, who has become somewhat of a social media star due to their… unconventional outfits and photo sessions with visitors at the entrance. After three months of demolition and renovation the museum opened on July 16th 2011. The creepy-cute concept was fed by 100 truckloads of exhibits – some from its sister museum called Ayashi Shonen Shojo Hakubutsukan (“The Weird Museum for Boys and Girls”) just 3.5 kilometers down the road, other items came from many years of collecting, including auctions, antique stores, closed museums like a house of hidden treasures (a euphemism for the 70s sex museums Japan had in a lot of onsen towns) and a film museum. As of 2021 the Maboroshi Hakurankai displayed more than 20000 exhibits across several buildings and outdoors – pretty much everything from newspapers to books to toys to arcade machines to vehicles to uniforms to mannequins (with different levels of clothing) to more or less bizarre art; most of the exhibits are from the Showa Era (1926-1989), which currently has a revival in Japan nicknamed Showa Mania.

According to the Japanese Wikipedia page about the museum “many of the objects are traumatizing to children, and some local parents discipline their kids by telling them, “If you do anything bad, we will take you to Maboroshi” – which made the museum just the more interesting to me. (I studied Japanese History at university, focusing on social and technological history.) I finally had the opportunity to visit the Phantom Exhibition just before the pandemic and it was all that I expected… and much, much more! Usually I schedule between 15 and 60 minutes for a museum visit, this one I had to leave after more than two hours to catch a bus back home – and I hope I will be able to come back one day as parts of my time there felt a bit rushed. The large parking lot was disappointingly empty, maybe half a dozen cars, but I guess toward the end of a long weekend most Tokyoites and other visitors were already on their way home. Sailor-chan wasn’t there to greet me, so I made my way up a winding slope, past the first exhibits, to the entrance with a small pay booth (1200 Yen back then, 1400 Yen now). The first exhibition hall was one of the old gigantic greenhouses that now included a 12-meter-tall head with shoulders. No air-conditioning, so pleasantly warm in January, but probably barely bearable in summer. When I entered, a guy pushing a sex doll in a wheelchair just left and I thought “Oh, they must be redecorating!” – later that afternoon it turned out that the bloke wasn’t an employee and that the doll was his “girlfriend”. So, yeah, not just the owner and the exhibits at the Maboroshi Hakurankai are eccentric, some of the visitors are, too. From the greenhouse I went back to the main area, which turned out to be a maze of paths and buildings while you are slowly ascending an Izu peninsula hill. Even four and a half years later I am still unable to properly describe the things I’ve seen… and how this place wouldn’t survive a week in any other country as its exhibits have such a great variety that they probably offend 90% of people at one point or another for being too liberal (all the sex stuff…) or for being too conservative (plenty of WW2 memorabilia…) – or for being just too bizarre, like the sculptures from artists that were placed near the top. But not only the owner, the exhibits, and the visits were unusual, so was the presentation of everything. Some areas looked like a proper museum, others felt like people just dumped stuff. Not even by topic, just piles or collages of things – a surprising amount of it outdoors, exposed to nature. Which makes the whole place something like a piece of partly decomposing art that is composed of an ever-changing collection of art and discard.

If I would have to describe the Maboroshi Hakurankai in one word, it would be “mind-blowing”. Don’t get me wrong, it’s a bizarre and sometimes deeply disturbing place, parts are just random piles of stuff, some areas are narrow and dirty… and yet there is so much to look at. Things you have never seen before and will never see again. Things from your childhood that you have long forgotten about and never expected to see again. I’m not an artsy kind of person and my historian heart was bleeding half the time over how a lot of the exhibits were presented – but if you go with an open mind and accept the place for what it is, I’m sure that you will have an amazing time there. Just schedule at least three hours for your visit… and make backup plans in case you hate it there and leave after 5 minutes.

And now I hope you will enjoy the gallery, but please be aware that some of the photos are definitely not safe for work. Some of them are probably not safe for sane minds. But it’s also art and I think it should be presented uncensored. Just be aware that you are looking at the stuff at your own discretion. To give you a general idea: If you had no problem with my explorations of the *abandoned sex museums*, you should be fine with this photo series, too!

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I’ve been urbexing for almost 15 years. During that time I’ve never written any articles about equipment, despite being very happy with three different Nikon DSLRs, two Manfrotto tripods, and a Sanyo video camera – which broke in 2019 after almost 15 years of recording countless hours at hundreds of locations as well as places like Chernobyl and North Korea. Videos I always considered a bonus anyway… and I’m still having a hard time thinking of myself as a photographer, given that I have no formal education in that field and only do it as a hobby. A really time-consuming hobby, but nevertheless just a hobby. I also don’t have a background in technology, so what’s the point of reviewing camera equipment when I just have an opinion based on learning by doing? Well, that doesn’t keep countless “influencers” and Youtubers from churning out incompetent nonsense, but I wouldn’t want to be found dead with either label on me! And like my favorite professor at university once said in regards to papers we had to hand in: “Don’t claim anything you can’t proof!”

Fortunately there is no need to be technical or scientific about this Insta360 X4 article, because unfortunately we never got that far…
Like I said, I always considered video walkthroughs of the locations I explore a bonus. I started them pretty much right away, but at first I didn’t even publish them, because I only took them for myself. And even when I published them, I didn’t edit them. No cuts, no voice overs. Just me walking around breathing heavily into the silence. That all came to a sudden halt when my Sanyo stopped working after exploring the abandoned *Trump Hotel*, also wiping out the recordings of the whole day. At that point I was tired of doing the videos anyway – and my co-explorers were increasingly annoyed, because I added 10 to 30 minutes at the end of every exploration for the walkthrough. So I stopped doing them.
For the past 18 months I’ve been exploring solo again (don’t ask, it’s complicated and often quite frustrating, to be honest), but a few weeks ago a colleague of mine showed me an older model Insta360 video camera that a visiting cousin from the States forgot at his place in Japan. I was fascinated by the easy to use 360 photos and videos, so I did some research and decided to get one. I’ve read reviews, I’ve read product pages – I did my best to make an informed decision, because at first I considered buying the X2 or X3 as older models often are cheaper with only slightly fewer / worse features. The X2 was out of the race when I read in a review that it required a smartphone to be activated – something I didn’t read anywhere about the X3 and X4. I guess because it’s an idea that is so stupid that it probably was a one-time mistake by Insta360, facing so much backlash that they removed the requirement from following models. The price difference between the X3 and X4 wasn’t very big and since the latter was only four weeks old at the time, the price on Amazon and in brick and mortar stores was the same, so I decided to get it at my local Yodobashi Camera (street block sized electronics stores with hundreds of employees each, in case you are not familiar with the chain), where I’ve been a customer for almost 18 years – ever since I moved to Japan.
BIG MISTAKE!

Yodobashi Camera was extremely stingy, giving only 1% points on the video camera, despite a promotional campaign of giving 13% points for purchases over amount X – except for (small print)… But when you shell out 80k Yen on a new video camera you are looking forward to use, store points are the last thing you worry about anyway. Fortunately I still had some of those points, which I used to get a seriously overpriced MicroSD card, because without it the video camera would be useless and I wanted to try it out on the weekend before an upcoming urbex trip. 83500 Yen poorer, but with a big smile on my face I left Yodobashi Camera on a Friday evening after an otherwise pretty horrible week.

Saturday was supposed to be a great day, though it started with a rude awakening / realization…
After sleeping in and having a delicious breakfast, I enjoyed a nice unboxing. The first slight disappointment was when I realized that the included battery was dead. Well, not dead dead, but completely empty. Whatever, an hour or two wouldn’t make a difference. It would not dent my great mood for sure. That came a few hours later when the battery was fully charged. I booted the small brick for the first time, its screen came to life, asking me to choose a language – and then the screen showed what the camera was seeing… for about a second or so. Then some text popped up and my heart sank. You gotta be kidding me! What I was looking at was a screen telling me to download an app by Insta360 to a smartphone, iOS or Android, to unlock the video camera. What. The. Heck? I literally felt it in my fingers how my blood-pressure exploded, because unlike pretty much every person on the planet above the age of 6 years I don’t own a smartphone. Never have. In the late 90s I had a black and white Nokia for work (yes, I’m not the youngest anymore, though I started working full-time in my early 20s). When I moved to Japan I had a flip phone or two, but for the past 15 years or so I didn’t have any mobile phone at all, smart or not, because I don’t like them as they turn way too many people into dumb zombies. So here I had a brand-new, quite expensive video camera… that forced me to make it usable by using another device with cameras? Who comes up with stupid ideas like that?!
Certainly not Nikon! Their D7500 DSLR I bought just weeks prior worked with a partly charged battery and regular SD cards straight out of the box 5 minutes after purchase – without any charging or unlocking BS!
So I started to do some research… and didn’t find much. Like I said, I couldn’t care less about smartphones, apps and all that stuff, so I tried to find a solution to unlock the darn X4 via PC or MicroSD card. Of course I couldn’t find anything about that either, so I contacted Insta360 directly – who apparently didn’t read my message and instead sent me a standard reply. So I got back to them, apologized for not describing my problem properly (I’ve been in Japan too long…), and this time got an answer that at least implied that they understood the situation I was in – without being able to help, because though it seems to be nowhere stated on the box, the promo material or even on the X4 website (at least back in mid / late May, maybe they changed it by now)… you really need a smartphone and the Insta360 app to use a newly bought X4 video camera, that seems to work perfectly fine, but is made not usable on purpose by the manufacturer. Which absolutely blows my mind!
How is that even legal?
How can a company force you to use a completely unrelated piece of expensive technology that actually partly does the job of the product you just bought, to make your purchase usable? Without mentioning that essential detail with big warnings before purchase! And in addition, forces you to use an app, which does who knows what in the background without one knowing?
What’s next? You need an electric bike with WiFi to unlock your newly bought car? And if you don’t… sucks to be you, it’s completely useless!

Yodobashi Camera – (The Lack Of) Customer Service In Japan!
After some back and forth it was Monday and I came to the conclusion that I won’t be able to use the Insta360 X4, because it really needs a smartphone to unlock, which wasn’t properly communicated. So after work I went back to Yodobashi Camera, my go-to electronics store for the past almost 18 years. Never had a problem with them, because all the products I bought worked as intended right out of the box. So I went back to the cashier counter where I bought the video camera… and already ran into the first minor bump in the road – apparently I hadn’t paid for it in the camera department, but a neighboring one, which wasn’t a problem on Friday evening, but very well on Monday evening. So I went 20 meters over to the camera department and told them about my unfortunate situation: That I had bought this video camera three days prior, but couldn’t use it, because it doesn’t work without a smartphone, which wasn’t properly communicated by Insta360 or Yodobashi Camera. But I was very careful with everything, I didn’t even remove the protective film from either of the lenses. Some air through the teeth sucking, some going back behind the counter to talk to a superior and then something like the following conversation – it’s in quotation marks, but they are not really quotes, you know… just something like that, from memory:
“I can’t sell this anymore, you opened the box. You can’t return it.”
“But I can’t use the video camera.”
“I can’t sell this anymore, you opened the box. You can’t return it.”
“I don’t have a smartphone. The X4 is useless to me.”
“I can’t sell this anymore, you opened the box. You can’t return it.”
“I did proper research and I only found out about this after I opened the box and tried to use the X4.”
“I can’t sell this anymore, you opened the box. You can’t return it.”
“I bought a D7500 last month, it worked out of the box…”
“I can’t sell this anymore, you opened the box. You can’t return it.”
“Then take it back and ask Insta360 to exchange the X4 – you have dozens of them here, you probably have to return one once in a while anyway.”
“I can’t sell this anymore, you opened the box. You can’t return it.”
“Are you serious? I’ve been a customer here for almost 18 years, spent millions at your store and other ones in the building that has your name. Never had a problem – and the first time I have, you are stonewalling me?”
“I can’t sell this anymore, you opened the box. You can’t return it.”
“Really?”
“I can’t sell this anymore, you opened the box. You can’t return it.”

At this point I gave up and exchanged a few more e-mails with Insta360 (“You should try to return the X4 where you bought it!” No kidding…), but their responses quickly became as useless and repetitive as the one of the guy at Yodobashi Camera – who is just a small cog in a big machine, so I don’t blame him; he’s punished enough with the lighting in the store and the uniform he has to wear all day.
So here we are, after me falling for the usual misconception about (customer) service in Japan, because I rarely ever had a real problem anywhere. It’s great as long as everything is within procedures – if somebody has planned for it, it most likely will go smoothly. Service is great. When service becomes customer service though, i.e. an individual customer needs help that requires improvisation outside of the planned service… you’re basically on your own. The only thing flexible in Japan is bamboo.

Nevertheless I still have moments when I wonder: AITAH?
I’m a huge believer in personal responsibility. If I make a mistake, I stand by it. I find behavior like ordering 20 items of clothes in different sizes and colors with the intention of sending 18 of them back despicable. In fact I’ve never sent anything back that I’ve ordered online, except for two USB-HDDs – and only because they didn’t work. I don’t do fast fashion, I don’t buy garbage from questionable sites like Shein oder Temu, I don’t replace electronics unless they are broken. (RIP, Nikon D7100!) I did due diligence before buying the Insta360 X4 and to this day everything in that (opened…) box is in mint condition. If I would have known about the smartphone requirement, I wouldn’t have bought the X4. It’s the reason why I didn’t buy the X2.
This is actually only the second time that I tell this story to anybody, because part of me is a bit ashamed that this series of unfortunate events happened – despite all the research before buying. But spending more than 80k on a useless brick of tech isn’t exactly something to be proud of. I don’t regret much in my life, but buying the Insta360 X4 I regret. And buying it at Yodobashi Camera is something I regret, too. Maybe Amazon would have been more accommodating with returns…
But I guess it is what it is – only money in the end. And no videos for Abandoned Kansai in the future. Heck, even if I would get the currently useless X4 to work, I would always be reminded of this story. Screw video cameras! Never was a fan, now I dislike them almost as much as smartphones. Which kind of closes the circle. But I’ll make sure to never ever even consider buying anything from Insta360 again – I still don’t understand how it’s even legal that they can do this. What’s next to unlock their cameras? Having to send them a voice message, swearing loyalty to Winnie the Xi(thead)? Apparently they can do anything without people questioning it…
I went back to Yodobashi Camera once more though, two days ago. I spent the remaining shop points I had on presents for my nephews without having to pay a single sen – my goal was it to hit +/- 20 points/Yen, but going to exactly 0 was priceless – and so I left the Yodobashi Camera building one last time with a big smile on my face. Upon arriving back home I cut up my loyalty card after almost 18 years. It probably doesn’t mean much to a large store chain like that. But it meant a lot to me!

Thank you for reading till the end and… What has your worst experience with Japanese (customer) service been? Write it in the comments!

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Whenever self-proclaimed Japan experts after their second or third trip recommend places like Iwakuni, Aomori or Otaru as off the beaten tracks, I’m not sure whether to giggle or facepalm… or both. And yet even “professionals” hardly ever shine a serious light on Shikoku, let alone this beautiful retrofuturism gem at the southwestern end of Japan’s fourth largest island. Matsuyama, Tokushima, maybe the Iya Valley with a side-trip to Kochi… Which is fine by me, actually. Let the masses trample the so-called Golden Route to death and leave the quiet corners for the people who really appreciate the country, who are willing to venture off to areas with three bus connections per day. And yes, I am aware that I am trying to talk up the rarely visited parts of Japan by pointing to one of the most Instagram-able places in the whole country, but… well… shoganai, eh?

(I just hope this place doesn’t turn into a second *Okunoshima*. It most likely won’t, because it’s too far away from the nearest Shinkansen station, but I went to *Okunoshima* (the “Rabbit Island”, though it should be known as the “Poison Gas Island”, as poison gas produced in World War 2 is the actual reason for rabbits being on the island) in 2012, when it was virtually unknown to the rather few tourists from overseas back then. Early in the season, on a small boat with maybe half a dozen other people. A serene experience. A few weeks ago I passed through Tadano-Umi again, the closest train station, on my way to Kure. The train along the coast was suspiciously busy and of course a group of Western tourists, most likely Aussies judging by the accent, burst into laughter as if it was the funniest thing they’ve ever heard when another train station was announced – though they most likely misheard as the station’s name was Sunami, not Tsunami! The train got a lot quieter… and emptier… upon arrival at Tadano-Umi when several dozen travelers got off and a blob of humans rolled straight towards the harbor to educate themselves on how Japan was the only country in World War 2 to actually use poison gas in warfare. Naaah, I’m kidding! Every single new sign said Rabbit Island. I wonder how many of the tourists leave without ever finding out about the deadly past of their latest destination…)


How to get to the Ashizuri Underwater Aquarium
Anyway, the Ashizuri Underwater Aquarium (天然ミュージアム・足摺海底館) or Ashizuri Underwater Observation Tower! I first heard about it a few years ago, but like I said, the thing is really off the beaten tracks, especially without a car, so I couldn’t go earlier. I visited the area as a day trip from Kochi (about 3 hours by car, 3.5 by train and bus) as I only had three days in this seriously undervalued prefecture, but it was one of the greatest days in 2024 so far – sunny 20°C, perfect weather, hardly any people around on a Friday. (Other attractions of the Ashizuri-Uwakai National Park include a large playground, several camp grounds, the Kochi Prefectural Ashizuri Aquarium SATOUMI, a glass bottom boat, and several museum – plenty for a few days actually!)
I took an early Limited Express from Kochi Station to Nakamura Station, from there a bus to Shimizu Plaza Pal and then 5 minutes later a bus to Kaiteikan-mae – the beautiful train ride is a feast for the eyes and the two bus rides aren’t too shabby either, probably a bit nerve-wrecking though if you are not familiar with basic Japanese and buses in Japan. From the bus stop it’s a short walk along the coast to the Ashizuri Underwater Aquarium. Built in 1971 and opened on January 1st 1972 this unusual structure is basically a metal tube with a double-helix staircase to go under water near the coastline. At the bottom of the staircase is a room with portholes (?) to look outside and enjoy the wildlife at the bottom of the sea. Of course the sights are not as spectacular as at an aquarium where things are set up perfectly for viewers – but it’s a unique, authentic experience. Especially if you have a predilection for Showa Era retrofuturism roadside attractions. In that case I would consider the Ashizuri Underwater Observation Tower the Holy Grail. It’s absolutely gorgeous inside and out… as long as you are light on your feet as the place is not barrier-free at all, because hardly anybody cared about that five decades ago. You have to climb a couple of steps to access the bridge to the tower – and there is no elevator, so you have to face the spiral staircase both on the way up and down. Other than that the Ashizuri Underwater Aquarium is definitely one of the coolest places in all of Japan and as off the beaten tracks as it gets. I’m seriously surprised that all those western “Only I know the true soul and all of Japan’s secrets!” bloggers and Youtubers haven’t picked up on it (yet), but I thought the same thing about *Okunoshima in 2012* – and now the island is overrun by bogans and their Chinese equivalents.

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March Madness in Japan is a bit different than it is ‘Murica – not about sports, but days off. April 1st marks the start of the new fiscal year at most companies, which means plenty of new hires, resulting in super crowded everything – made only worse by people flying around the globe to see cherry blossoms, because the ones in their own country apparently aren’t good enough! (3.08 million in March alone… FFS!) It also means that employees get a new bunch of vacation days, which is good and bad, because at most companies you can only take over the ones from the previous year. The ones you have taken over previously will vanish – but since sick days are not common in Japan and you don’t know when the rona or the flu will strike you down (which tends to result in mandatory staying home until you get cleared by a doctor!), you don’t want to take too many personal days off, because if you reach negative days, you have to live with pay cuts. Japan… Keep spending most our lives living in a worker’s paradise. People who have kids or are regularly sick for other reasons are usually not affected by this, but a lot of salarymen seek to take remaining paid vacation time at the end of March before the days vanish on April 1st.

One of them was yours truly. 2023 was rather busy for me, so I had 6 vacation days from FY2022 left as I would only be able to transfer the new ones from FY2023 to FY2024 – plus a national holiday and weekends resulted in a total of 17 days off in March. So I used the second half of March to create long weekends and did some domestic traveling. I actually logged 30 locations in March alone, everything from relaxed 10-minute-long outdoor shoots of abandoned vacation homes to intense several hour long indoor-outdoor explorations of large abandoned places. In-between I had to take plenty of public transport – and by chance I came across three trains that might be of interest to railroad buffs. (Plus a bonus one in April…)

When walking up to Kochi Station I saw the Anpanman train, which is going back and forth between Kochi and Okayama – I only had a short time before it left, so I quickly grabbed my camera and took a few snapshots while the train started to move. A week later I was going to Tottori, when by chance I boarded a train with a special Detective Conan design – not just some decals outside, but a fully designed train. Walls, floors, headrests, even the window blinds. I haven’t seen a single episode of Detective Conan, but I must admit that the train was pretty cool. No extra charge, at least I’m not aware of any. Last but not least there was a train with kagura design – a dance with Shinto origins and demon masks. I saw it one morning at the opposite platform just before leaving, so I took some quick shots again. (Bonus: In April did two day trips to the Kansai countryside and found myself on a train with Expo 2025 decals – an expected shitshow with a strangely appropriate hemorrhoid looking mascot. I’m not a fan of the creature or the event, but maybe some train buffs will get a kick out of it.)

Now that I have your attention, if you actually read this far, I would like to repeat two things I’ve mentioned before and that are really important to me:
1.) I tend to pay rather close attention to urbex in Japan. I usually know if a place got vandalized or demolished, if it collapsed or is reused. When I leave out that information in my articles or social media postings, you can be 99.9% sure that I did so for a reason. The same applies for when I use made-up names for a location. I’ve been there, I’ve seen it, including the signs that are usually all over the place – often painted in letters so large that even Brian would stop in awe. So if you have information that is not mentioned by me, please don’t post it in the comments – there is a 99.9% chance that the information is left out for a reason.

2.) NEVER EVER ask me for the coordinates of a location unless you know me well enough to do so in person or unless you have very good reasons. “I’m a lazy tourist shmock who has never done urbex before, but I REALLY want to go to that spectacular original find you just posted, because Japan is this magical wonderland where none of my actions have consequences!” is NOT a good reason. It’s a reason to ignore you – or to block you, if you didn’t get the hint the first or maybe second time. I can do my own research, so can you! I believe in you! All of you! Every single one of you!

That doesn’t mean though that I am opposed to meeting people or doing collaborations, despite plenty of bad experiences over the last dozen years or so. Blackcrows for example was a true pleasure to work with, which resulted in this amazing video:

One of the best urbex videos ever!

On the other hand, I get some really some creepy and / or entitled messages. I try not to interact with crazy or lazy, but some people are weirdos that should be banned from being online. For the first few years I had an amazing audience with 99% positive and supportive responses. Things started to go south a bit with the tourism boom to Japan in the mid-2010s – since the pandemic though people seem to just let the craziness flow. Everything from confused-stalkerish to a passive aggressive follow-up after I didn’t respond to somebody’s request to do research work for them within 36 hours during a work week. I was about to post some anonymized messages, but then again… why? Better not to trigger lazy or crazy… (If you think I’m too sensitive, please don’t forget that I live in a country where expats and immigrants discuss whether it’s a microaggression when they get a compliment about their eating with chopsticks skills… You see fewer snowflakes in a Hokkaido winter than among foreigners in the big cities.)

I don’t mean to be mean, but this blog is a one-person hobby. I take every photo, I write every single word of text, I handle my own social media accounts – there is no editor, no co-writer, or any form of contributor… and especially no management, which some of the for money urbex tourists roaming the planet use to organize their trips. I just want to have a little bit of extra fun with this, after the most important part – the actual explorations. Even the comment section isn’t anymore what it was *10 years ago*. You can basically pick any article from that era for comparison…
Well, shoganai, eh? I guess those are the times we are living in now. 😦

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Hello everyone!

This is just a friendly reminder that Abandoned Kansai is run with the exclusive intention of showcasing the beauty of abandonment in Kansai and the rest of Japan.

Ever since Japan opened the floodgates again for tourists from overseas, I receive a ton of PMs and e-mails from people… Everything from “Yo dawg, coordinates?” to really friendly messages.
How do I say this as politely as possible? Urban exploration is a dangerous hobby and not something anybody is entitled to. The locations can be dangerous, the weather conditions can be dangerous, the wildlife can be dangerous; and legally it’s a grey area at best! I don’t encourage anybody doing urban exploration nor do I support the efforts – quite the opposite actually! Especially when you have never done it before. After almost 14 years of exploring I have a pretty good idea of what I’m doing, sometimes learning the hard way. Most people writing me though don’t even seem to have a clue about how much and what they don’t know. Flip-flops wearing first timers on vacation who might get themselves killed – because Japan is this quirky whimsical fairy tale place where nothing can go wrong, even the police look like in an anime! Or worse: “I work for a popular Youtube channel and our audience likes to see us exploring…” Yeah, no problem – of course I’ll do the difficult part for any fame hungry idiot too lazy or incompetent to find abandoned places themselves in a country where you hardly can throw a stone without hitting a ruin! Anything else I can do? Drive you there? Hand you snacks and sodas? Pay for everything? (Speaking of payment: Offering me money doesn’t help, I’m not a whore. And Youtubers are actually not the worst people who contact me – Youtubers with 6- or 7-figure subscribers who have their management write me are; some of those people pretend to be independent wanderers, but apparently can’t even properly plan their own trips; instead they try to exploit the people who do the groundwork.) Sooooo… long story short: Urban exploration is a difficult and complex hobby with no room for bullshit or entitlement. The signs in the gallery below have been put up for good reasons. Respect them or be prepared to deal with the consequences… (I’m not trying to be mean here, this really is just a friendly reminder. Enjoy your time in Japan and don’t cause yourself unnecessary trouble! Or even better: Just enjoy Abandoned Kansai!)

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When I first came to Japan in 1998 the country had only 4.1 million foreign visitors. I was in my second year at university, traveled alone and barely ever saw another tourist (despite being there during cherry blossom season!), neither the internet nor cell phones were common, and Japan had a reputation for being kind of “inaccessible” – and expensive. The good old days…

By the time I moved to Japan in 2006 the number of tourists had almost doubled to 7.3 million, but that didn’t really matter to me, especially since they kept going up and down. Being a tourist and being an expat (i.e. being a tax payer with a job!) are two completely different things, two completely different experiences; especially in Japan. It’s like visiting an amusement park and working in an amusement park! And as a new hire at a Japanese company I neither had the time nor the financial resources, so for the first two or three years all I saw of Japan was Kansai in day trips. Now, there is a lot to see and do in this area, so I didn’t feel restricted – I was just living my daily life and my vacation time I spent visiting family and friends back home.
In late 2009 I picked up urban exploration as a hobby and a few months later started this blog, Abandoned Kansai. Kansai, because that was my home, the area I was familiar with, the area I traveled well. Not Abandoned Japan, because I never expected that I would travel much outside of Kansai – I hadn’t for three years, so why start now?
Well, because I wanted to document certain abandoned places in other prefectures, as I realized rather quickly… Two months after the *Mount Atago Cable Car* I did my first exploration in another region (Chubu), three months later I went to another main island (Kyushu) – and eight years later I traveled so much that I covered all nine regions of Japan (Hokkaido, Tohoku, Kanto, Chubu, Kansai, Chugoku, Shikoku, Kyushu, and Okinawa) within one calendar year! Though it wasn’t until 2020 that I had visited and explored abandoned places in all of Japan’s 47 prefectures… (Ehime was last ؘ– by something like two years!)
For the first few years those urbex trips were more or less strictly urbex trips. I did them to explore certain abandoned places, *a lot of which don’t exist anymore as described in this article*, with little time for other things to do, except enjoying local food after sunset. And I didn’t think much about it, because I lived in Japan. I could go sightseeing at any time anyway! Meanwhile Abe and his monkey bunch decided that Japan should be a vacation destination (under his reign the number of tourists exploded from 6.2 million to 31.9 million visitors!) and aggressively pushed for overseas tourists by devaluating the Yen, propaganda campaigns and tax exemptions for shoppers from overseas while raising taxes on his own people, including doubling the consumption tax in two steps. Anyway, Japan became more and more popular worldwide, including among urban explorers, some of which came for hardcore trips with half a dozen locations per day, hardly any sleep, and definitely no sightseeing – which changed my attitude towards my own trips within Japan significantly around 2015/2016, because I felt so sorry for those poor souls who came all this way and experienced little more than moldy buildings similar to others in the rest of the world. Unfortunately for me around that time Japan had already passed the 20 million mass market mark, 5 times as many tourists as I was used to in 1998. Nearby places like Kyoto and Nara had already become unbearable as I found out on occasion when friends and family visited me in my new home country, but even in places like Otaru I heard more Chinese than Japanese in the streets as tourists from China went from 267k in 1998 to 9.6 million in 2019, the last full year of worldwide tourism before the coronavirus. To me overtourism is one of the ultimate turnoffs in life. And that’s a general thing. When I’m in Otaru I don’t want to hear Chinese everywhere, when I’m at the Great Wall I don’t want to hear Italian everywhere, when I’m at the Coliseum I don’t want to hear German everywhere, when I’m at the Berlin Wall I don’t want to hear Russian everywhere, when I’m at the Red Square I don’t want to hear French everywhere – and when I’m at the Eiffel Tower I don’t want Japanese to be the dominant language. So as much as I tried to implement touristic places into my urbex trips I mainly limited them to rather off the beaten track locations like Hirosaki or Lake Ikeda, because even places like Hakodate, Kanazawa, or Nagasaki had been overrun by the Eurasian hordes. (And it’s not just the amount of people and their constant yapping, it’s also the (misbehaving) type of people that visited Japan in recent years. When the country was still special interest, in the 20th century, people went to Japan for specific reasons; to see or do something, to educate themselves about a certain topic – nowadays it seems to be a cool Instagram location for dumb phonies with selfish sticks that book flights to Japan and then go through the Top 5 lists on Instagram, Tripadvisor, or some “True soul of Japan!!!” blogger to find out what they can actually brag about on social media with. The amount of signs EVERYWHERE about “How to use a toilet!” / “How to not misbehave!” in four languages has become ridiculous and should be embarrassing to every person visiting Japan. Unfortunately most tourists don’t seem to be bothered by those signs as they are too self-absorbed and busy taking selfies, but as somebody who lives here I feel bad that locals need to state the obvious so often as visitors have become a serious nuisance.)

When the coronavirus spread across the world in late 2019 / early 2020 Japan was one of the last countries to close its borders, desperately clinging to its Frankenstein’s monster tourism industry and the Tokyo Olympics. Despite that, the country was hit much less hard than most others due to cultural coincidences – Japanese people are not exactly affectionate in public / outside of the family, and wearing masks is a long-standing flu season tradition, so what prevented spreading the coronavirus (avoiding close contact and wearing masks) was common practice in Japan anyway. If kisses on the cheeks and drinking red wine would have prevented the disease, France would have done much better and Japan would have been screwed… Anyway, Japan did comparatively well (though it is currently hitting record high numbers!), so the overall terribly phlegmatic Japanese government imposed only few restrictions, most of them in form of “recommendations”. Since recommendations usually are considered orders due to preemptive obedience, I spent most of the summer 2020 working from home, a liberating and deeply frustrating experience at the same time as I didn’t meet any friends for months and left my hamster cage maybe three times a week for grocery shopping to avoid the second wave, that’s it; work, eat, sleep, repeat. The same for a few weeks around New Year’s Day – while Japanese people were visiting their families (recommendations are only followed unless people really don’t want to…) I sat alone at home and skyped with mine to get past the third wave.

February: Matsumoto, Nagano, Obuse, Gero, Takayama, Shirakawa-go, Kanazawa
In early 2020 things went “back to normal” in Japan with as few as 698 new cases per day nationwide (Kanto and Kansai being responsible for the vast majority of cases and some prefectures going down to 0 active cases and no new infections for weeks!), so I decided to jump on the opportunity and visit some places that had been unbearably crowed in the last five to eight years – especially since some of my regular co-explorers had become increasingly busy with fur and other babies. My first main destination on February 12th, after nights in Matsumoto and Nagano (where I had been years prior on the way to the abandoned *Asama Volcano Museum*), were the famous onsen snow macaques in the Jigokudani Monkey Park; a place so touristy and swamped that my buddy Hamish discouraged me from going there many, many years ago. Upon my arrival towards noon I shared the park with hardly more than a dozen people, and that number barely doubled during my hour long stay there – now that turned out even much better than I had hoped for in my wildest dreams! 🙂 So for the next weekend I made even bolder plans, for a place usually so overrun by busloads of foreign and domestic tourists that you could have offered me serious money to go there and I would have declined without hesitating – Shirakawa-go in winter! And to make it the ultimate challenge I added Takayama the day before and Kanazawa the day after, with a quick stop in Gero on the way to Takayama. What can I say? Gero was lovely, Takayama absolutely gorgeous, Kanazawa virtually empty (I was able to take photos in the old samurai district without people ruining them!), and Shirakawa-go… Shirakawa-go was still busy, but bearable. Already borderline too busy for my taste, but knowing that there usually were five or ten times as many people made me enjoy my visit much more than expected. (The car parking lots were rather busy, the bus parking spots basically empty – the lack of mass tourism saved my day!)

March 2021: Hokkaido, Yamaguchi, Kamakura / Hakone
March started with another touristy trip to Hokkaido. If you are a regular of Abandoned Kansai and paid attention reading my article about the *Toya-Usu Geopark* you already know that I had been up north in early November – too early for the drift ice of the Okhotsk Sea, so I went back just four months and a coronavirus wave later. Despite the unusually warm weather in Abashiri (10°C!) I was able to experience the drift ice by pure luck before moving on to Kitami and the peppermint museum, Onneyu Onsen and the fox farm, as well as the mostly closed Sounkyo Onsen and its ice festival (-9°C and strong wind!). Also worth mentioning was my stop in Asahikawa and its cross country ski track right behind the main train station in the city center. Gotta love Japan! Two weeks later I took advantage of the early cherry blossom season and went south – Iwakuni, Tsuwano, Hagi, and Akiyoshido / Akiyoshidai. All four places rather off the beaten tracks, but even more so in the spring of 2021. On both of those trips I didn’t see a single non-Asian person after my first stop (New Chitose Airport and Iwakuni respectively), which gave me serious flashbacks to 1998 – not only did I enjoy both of those trips tremendously, I felt young again! 🙂
Next a trip to Kanto (Kamakura, Odawara, Hakone) with a quick stop in Omihachiman on the way back – as expected full of ups and downs, both literally and figuratively… and with significantly more people than on the trips before. Overall worth the time and effort, but especially Hakone seemed terribly overrated to me (the Museum Of Photography is a joke, but the pizza at 808 Monsmare made up for that disappointment).

April: Tateyama Kurobe Alpine Route, Tsumago / Magome
Which brings us to April and one more cliché destination for Instagram victims: the Tateyama Kurobe Alpine Route with the Tateyama Snow Wall and the Kurobe Dam. The latter is impressive, but in the end just a dam with little to see and do in spring, whereas the snow wall is only accessible / existing in spring as that part is closed in winter. Summer and autumn promises tons of nature, a boat cruise on Lake Kurobe, and heaps of hiking trails, but when you do the route in spring you basically only get the snow wall and lots of waiting in line without proper social distancing / climbing stairs. Really disappointing! Fortunately I was able to visit two gorgeous post towns called Tsumago and Magome on my way back to Osucka, which was absolutely lovely – I’d call them hidden gems, but Magome was already surprisingly busy, I can only imagine how insanely crowded the town has been and probably will be again soon.

May: Oga, Akita, Tsuruoka, Niigata, Aizu-Wakamatsu, Ouchi
Golden Week was my final opportunity to travel before most of Japan will turn into a hot and humid hellhole for about four months, so I went to Tohoku for the first time in three years, mainly for those locations: The Namahage Museum in Oga, Dewa Sanzan and the five-storey pagoda of Mount Haguro as well as Aizu-Wakamatsu for the Sazaedo (a 225 year old wooden temple with a double-helix staircase) and the Ouchi post town – and my really high expectations were fulfilled and partly surpassed. All of those places were absolutely gorgeous, especially the pagoda and the temple; both of which I had to myself for a couple of minutes between small groups of people supporting domestic tourism like I did. To get to Ouchi I took a tourist train to Yunokami Onsen that featured animations in dark tunnels and made special stops at Ashinomaki Onsen Station (as it “employs” cats as the station master and the rail manager…) as well as at scenic spots along the route. I was the only passenger that day, so the train driver consulted with the conductor that I had taken all the photos I needed before continuing, while the train’s shop lady (on special trains exclusive merchandising is often sold) was visibly amused by the situation; of course there were limits to that, bit apparently we had two or three minutes of wiggle room and weirdly enough they let me take advantage of that!

Final thoughts
Attached you’ll find a rather large gallery… the largest in Abandoned Kansai history. All photos are freehand snapshots as I didn’t bring my tripod or much time to any of those late winter / early spring trips, on some of which I struggled with the weather and lighting (wind, rain, snow, rather extreme temperatures, (lack of) clouds, darkness). Despite having done a lot less urbex than usual this year, this was definitely my most active and probably my favorite spring I’ve spent in Japan. Overtourism has become a problem for many countries and maybe this health crisis will initiate some change – domestic tourists should be more appreciated instead of alienated… and quality instead of quantity be attracted!
I don’t think anybody who experienced 31.9 million tourists to Japan in 2019 really wants to live through 60 million tourists in 2030… Not even the many of my friends who actually work(ed) in the tourism industry!

Oh, and if you are interested in specific locations or trips let me know – I might expand some of those quick sneak peaks into full articles. But first I will publish a spectacular abandoned place next week, one of my all-time favorites. Easily Top 10! 🙂

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You like abandoned places, gorgeous views, and hikes on beginner level? Then Hokkaido’s Toya-Usu Geopark is perfect for you! Experience a post-apocalyptic scenario in walking distance of a relaxing spa town…

Less than two hours south of Sapporo and its New Chitose Airport is the often overlooked Toya-Usu UNESCO Global Geopark, an era with about 110000 years of activity. Back then an eruption caused a large depression to form, which filled with water over time and created what is now known as Lake Toya. Near its southern shore is Mount Usu, a rather active volcano that erupted at least nine times in the last 350 years, four times since 1910. The 1910 eruption is of importance as it created the foundation of Toyako Onsen, a rather new spa town in comparison to classics like Dogo, Hakone, or Arima. The 1977-78 eruption lead to quite a bit of destruction *as described in my 2013 article about the twisted and now abandoned Sankei Hospital*. But that didn’t keep people from building and living in the area – and some paid a price for that when Mount Usu erupted again in 2000, causing roads to twist and landslides to flood whole buildings. While the Sankei Hospital was just a single building with not much tourism prowess, the good people of Toyako turned lemons into lemonade. They cleaned up the area, constructed some landslide catching dams for safety and built some hiking trails through the destroyed area and past some craters.
The Kompirayama Walking Trail leads from the Toyako Visitor Center past the destroyed bath house and a severely damaged apartment building up the mountain past the Tama-chan crater and the Yu-kun crater as well as an abandoned factory to a sparsely populated area now predominantly catering to tourists – a little hotel, some shops, a bus stop, and a public toilet. It’s also one end of the Nishiyama Crater Walking Trail, which leads past the Nishiyamakakofuchi Park and its destroyed and sometimes flooded road up the mountain to several observation decks and then down again next to several destroyed buildings (one of them incorrectly labelled “Collapsed Kindergarten”) to the actual collapsed kindergarten. From there you can either walk to another bus stop, back to the bus stop between the trails or all the way back to Toyoko Onsen. It’s not a difficult hike by any means (hence probably the name walking trail), but there are some steep and slippery passages, especially after some precipitation – which is probably the main reason why at least the Kompirayama trail is closed from mid-November to mid-April; not sure about Nishiyama trail, which has much fewer muddy parts, but is secured by lockable gates.
I had the pleasure to walk along both trails in early November 2020, towards the end of autumn leaves season and just days before the Kompirayama trail was closed for the winter. At about 10°C the weather was comfortable, but rain on the days before made some part indeed dangerously slippery. It also didn’t help that the weather was constantly changing every 20 to 30 minutes: sunny, overcast, rainy, light snowstorm and back again, sometimes skipping one condition. (*Much like when I was exploring the nearby Chinese themed park Tenkaen eight years prior!*) So… yes, all the photos in the gallery below are from the same day and were taken with the same camera and settings, though they look quite different. It were the abandoned buildings at the foot of the Kompirayama trail that motivated to do those hikes, but there was so much more to it – especially the views at Lake Toya from the Yu-kun crater, the post-apocalyptic scenery of the destroyed and flooded road between the trails and the view at Uchiura Bay from the observation decks of the Nishiyama trail. Having done this on a mostly overcast day in late autumn during a pandemic just added to the post-apocalyptic atmosphere as I was mostly by myself with no other hikers around – I saw two or three other groups with less than a dozen people in total. Wonderful, just wonderful!

If you like Japan, abandoned buildings and easy hikes, this is a dream come true. And if you should ever plan on doing those hikes, stay a night or two in Toyako Onsen. It’s a really lovely area ignored by most tourists on their way to Hakodate, which is a real shame, because there is easily enough to see and do to keep you busy for two or three relaxed days – much longer even if relaxation is what you are looking for! (*BTW: If you are looking for more risk free urbex places for tourists, have a look at my special by clicking here!*)

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